THE LIGHT IS RISING NOW RISING IS THE LIGHT
....
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LIGHT AND LIFE
Lars Olof Bjorn 1976
Page 197
"By writing the 26 letters of the alphabet in a certain order one may put down almost any message (this book 'is written with the same letters' as the Encyclopaedia Britannica and Winnie the Pooh, only the order of the letters differs). In the same way Nature is able to convey with her language how a cell and a whole organism is to be constructed and how it is to function. Nature has succeeded better than we humans; for the genetic code there is only one universal language which is the same in a man, a bean plant and a bacterium."
"FOR THE GENETIC CODE THERE IS ONLY ONE UNIVERSAL LANGUAGE"
DNA AND DNA DNA AND DNA DNA AND DNA
DNA AND DNA DNA AND DNA DNA AND DNA
"BY WRITING THE 26 LETTERS OF THE ALPHABET IN A CERTAIN ORDER
ONE MAY PUT DOWN ALMOST ANY MESSAGE"
FINGERPRINTS OF THE GODS
A QUEST FOR THE BEGINNING AND THE END
Graham Hancock 1995
Chapter 32
Speaking to the Unborn
Page 285
"It is understandable that a huge range of myths from all over the ancient world should describe geological catastrophes in graphic detail. Mankind survived the horror of the last Ice Age, and the most plausible source for our enduring traditions of flooding and freezing, massive volcanism and devastating earthquakes is in the tumultuous upheavals unleashed during the great meltdown of 15,000 to 8000 BC. The final retreat of the ice sheets, and the consequent 300-400 foot rise in global sea levels, took place only a few thousand years before the beginning of the historical period. It is therefore not surprising that all our early civilizations should have retained vivid memories of the vast cataclysms that had terrified their forefathers.
Much harder to explain is the peculiar but distinctive way the myths of cataclysm seem to bear the intelligent imprint of a guiding hand.l Indeed the degree of convergence between such ancient stories is frequently remarkable enough to raise the suspicion that they must all have been 'written' by the same 'author'.
Could that author have had anything to do with the wondrous deity, or superhuman, spoken of in so many of the myths we have reviewed, who appears immediately after the world has been shattered by a horrifying geological catastrophe and brings comfort and the gifts of civilization to the shocked and demoralized survivors?
White and bearded, Osiris is the Egyptian manifestation of this / Page 286 / universal figure, and it may not be an accident that one of the first acts he is remembered for in myth is the abolition of cannibalism among the primitive inhabitants of the Nile Valley.2 Viracocha, in South America, was said to have begun his civilizing mission immediately after a great flood; Quetzalcoatl, the discoverer of maize, brought the benefits of crops, mathematics, astronomy and a refined culture to Mexico after the Fourth Sun had been overwhelmed by a destroying deluge.
Could these strange myths contain a record of encounters between scattered palaeolithic tribes which survived the last Ice Age and an as yet unidentified high civilization which passed through the same epoch?
And could the myths be attempts to communicate?
A message in the bottle of time
'Of all the other stupendous inventions,' Galileo once remarked,
what sublimity of mind must have been his who conceived how to communicate his most secret thoughts to any other person, though very distant either in time or place, speaking with those who are in the Indies, speaking to those who are not yet born, nor shall be this thousand or ten thousand years? And with no greater difficulty than the various arrangements of two dozen little signs on paper? Let this be the seal of all the admirable inventions of men.3
If the 'precessional message' identified by scholars like Santillana, von Dechend and Jane Sellers is indeed a deliberate attempt at communication by some lost civilization of antiquity, how come it wasn't just written down and left for us to find? Wouldn't that have been easier than encoding it in myths? Perhaps.
Nevertheless, suppose that whatever the message was written on got destroyed or worn away after many thousands of years? Or suppose that the language in which it was inscribed was later forgotten utterly (like the enigmatic Indus Valley script, which has been studied closely for more than half a century but has so far resisted all attempts at decoding)? It must be obvious that in such circumstances a written / Page 287 / legacy to the future would be of no value at all, because nobody would be able to make sense of it.
What one would look for, therefore, would be a universal language, the kind of language that would be comprehensible to any technologically advanced society in any epoch, even a thousand or ten thousand years into the future. Such languages are few and far between, but mathematics is one of them - and the city of Teotihuacan may be the calling-card of a lost civilization written in the eternal language of mathematics.
Geodetic data, related to the exact positioning of fixed geographical points and to the shape and size of the earth, would also remain valid and recognizable for tens of thousands of years, and might be most conveniently expressed by means of cartography (or in the construction of giant geodetic monuments like the Great Pyramid of Egypt, as
we shall see).
Another 'constant' in our solar system is the language of time: the great but regular intervals of time calibrated by the inch-worm creep of precessional motion. Now, or ten thousand years in the future, a message that prints out numbers like 72 or 2160 or 4320or 25,920 should be instantly intelligible to any civilization that has evolved a modest talent for mathematics and the ability to detect and measure the almost imperceptible reverse wobble that the sun appears to make along the ecliptic against the background of the fixed stars..."
"What one would look for, therefore, would be a universal language, the kind of language that would be comprehensible to any technologically advanced society in any epoch, even a thousand or ten thousand years into the future. Such languages are few and far between, but mathematics is one of them"
"WRITTEN IN THE ETERNAL LANGUAGE OF MATHEMATICS"
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THERE IS NO ATTEMPT MADE TO DESCRIBE THE CREATIVE PROCESS REALISTICALLY
THE ACCOUNT IS SYMBOLIC AND SHOWS GOD CREATING THE WORLD BY MEANS OF LANGUAGE
AS THOUGH WRITING A BOOK BUT LANGUAGE ENTIRELY TRANSFORMED
THE MESSAGE OF CREATION IS CLEAR EACH LETTER OF
THE
ALPHABET
IS
GIVEN
A
NUMERICAL
VALUE BY COMBINING THE LETTERS WITH THE SACRED NUMBERS
REARRANGING THEM IN ENDLESS CONFIGURATIONS
THE MYSTIC WEANED THE MIND AWAY FROM THE NORMAL CONNOTATIONS OF WORDS
....
THE DEATH OF GODS IN ANCIENT EGYPT
Jane B. Sellars 1992
Page 204
"The overwhelming awe that accompanies the realization, of the measurable orderliness of the universe strikes modern man as well. Admiral Weiland E. Byrd, alone In the Antarctic for five months of polar darkness, wrote these phrases of intense feeling:
Here were the imponderable processes and forces of the cosmos, harmonious and soundless. Harmony, that was it! I could feel no doubt of oneness with the universe. The conviction came that the rhythm was too orderly. too harmonious, too perfect to be a product of blind chance - that, therefore there must be purpose in the whole and that man was part of that whole and not an accidental offshoot. It was a feeling that transcended reason; that went to the heart of man's despair and found it groundless. The universe was a cosmos, not a chaos; man was as rightfully a part of that cosmos as were the day and night.10
Returning to the account of the story of Osiris, son of Cronos god of' Measurable Time, Plutarch takes, pains to remind the reader of the original Egyptian year consisting of 360 days.
Phrases are used that prompt simple mental. calculations and an attention to numbers, for example, the 360-day year is described as being '12 months of 30 days each'. Then we are told that, Osiris leaves on a long journey, during which Seth, his evil brother, plots with 72 companions to slay Osiris: He also secretly obtained the measure of Osiris and made ready a chest in which to entrap him.
The, interesting thing about this part of the-account is that nowhere in the original texts of the Egyptians are we told that Seth, has 72 companions. We have already been encouraged to equate Osiris with the concept of measured time; his father being Cronos. It is also an observable fact that Cronos-Saturn has the longest sidereal period of the known planets at that time, an orbit. of 30 years. Saturn is absent from a specific constellation for that length of time.
A simple mathematical fact has been revealed to any that are even remotely sensitive to numbers: if you multiply 72 by 30, the years of Saturn's absence (and the mention of Osiris's absence prompts one to recall this other), the resulting product is 2,160: the number of years required, for one 30° shift, or a shift: through one complete sign of the zodiac. This number multplied by the / Page205 / 12 signs also gives 25,920. (And Plutarch has reminded us of 12)
If you multiply the unusual number 72 by 360, a number that Plutarch mentions several times, the product will be 25,920, again the number of years symbolizing the ultimate rebirth.
This 'Eternal Return' is the return of, say, Taurus to the position of marking the vernal equinox by 'riding in the solar bark with. Re' after having relinquished this honoured position to Aries, and subsequently to the to other zodiacal constellations.
Such a return after 25,920 years is indeed a revisit to a Golden Age, golden not only because of a remarkable symmetry In the heavens, but golden because it existed before the Egyptians experienced heaven's changeability.
But now to inform the reader of a fact he or she may already know. Hipparaus did: not really have the exact figures: he was a
trifle off in his observations and calculations. In his published work, On the Displacement of the Solstitial and Equinoctial Signs, he
gave figures of 45" to 46" a year, while the truer precessional
lag along the ecliptic is about 50 seconds. The exact measurement for the lag, based on the correct annual lag of 50'274" is 1° in 71.6 years, or 360° in 25,776 years, only 144 years less
than the figure of 25,920.
With Hipparchus's incorrect figures a 'Great Year' takes from 28,173.9 to 28,800 years, incorrect by a difference of from 2,397.9 years to 3,024.
Since Nicholas Copernicus (AD 1473-1543) has always been credited with giving the correct numbers (although Arabic astronomer Nasir al-Din Tusi,11 born AD 1201, is known to have fixed the Precession at 50°), we may correctly ask, and with justifiable astonishment 'Just whose information was Plutarch transmitting'
AN IMPORTANT POSTSCRIPT
Of course, using our own notational system, all the important numbers have digits that reduce to that amazing number 9 a number that has always delighted budding mathematician.
Page 206
Somewhere along the way, according to Robert Graves, 9 became the number of lunar wisdom.12
This number is found often in the mythologies of the world. the Viking god Odin hung for nine days and nights on the World Tree in order to acquire the secret of the runes, those magic symbols out of which writing and numbers grew. Only a terrible sacrifice would give away this secret, which conveyed upon its owner power and dominion over all, so Odin hung from his neck those long 9 days and nights over the 'bottomless abyss'. In the tree were 9 worlds, and another god was said to have been born of 9 mothers.
Robert Graves, in his White Goddess, Is intrigued by the seemingly recurring quality of the number 72 in early myth and ritual. Graves tells his reader that 72 is always connected with the number 5, which reflects, among other things, the five Celtic dialects that he was investigating. Of course, 5 x 72= 360, 360 x 72= 25,920. Five is also the number of the planets known to the ancient world, that is, Saturn, Jupiter, Mars, Venus Mercury.
Graves suggests a religious mystery bound up with two ancient Celtic 'Tree Alphabets' or cipher alphabets, which as genuine articles of Druidism were orally preserved and transmitted for centuries. He argues convincingly that the ancient poetry of Europe
was ultimately based on what its composers believed to be magical principles, the rudiments of which formed a close religious secret for centuries. In time these were-garbled, discredited and forgotten.
Among the many signs of the transmission of special numbers he points out that the aggregate number of letter strokes for the complete 22-letter Ogham alphabet that he is studying is 72 and that this number is the multiple of 9, 'the number of lunar wisdom'. . . . he then mentions something about 'the seventy day season during which Venus moves successively from. maximum eastern elongation 'to inferior conjunction and maximum western elongation'.13
Page 207
"...Feniusa Farsa, Graves equates this hero with Dionysus. Farsa has 72 assistants who helped him master the 72 languages created at the confusion of Babel, the tower of which is said to be built of 9 different materials
We are also reminded of the miraculous translation into Greek of the Five Books of Moses that was done by 72 scholars working for 72 days, Although the symbol for the Septuagint is LXX, legend, according to the fictional letter of Aristeas, records 72. The translation was done for Ptolemy Philadelphus (c.250 BC), by Hellenistic Jews, possibly from Alexandra.14
Graves did not know why this number was necessary, but he points out that he understands Frazer's Golden Bough to be a book hinting that 'the secret involves the truth that the Christian
dogma, and rituals, are the refinement of a great body of
primitive beliefs, and that the only original element in Christianity- is the personality of Christ.15
Frances A. Yates, historian of Renaissance hermetisma tells, us
the cabala had 72 angels through which the sephiroth (the powers
of God) are believed to be approached, and further, she supplies the information that although the Cabala supplied a set of 48 conclusions purporting to confirm the Christian religion from the foundation of ancient wisdom, Pico Della Mirandola, a Renaissance magus, introduced instead 72, which were his 'own opinion' of the correct number. Yates writes, 'It is no accident
there are seventy-two of Pico's Cabalist conclusions, for the conclusion shows that he knew something of the mystery of the Name of God with seventy-two letters.'16
In Hamlet's Mill de Santillana adds the facts that 432,000 is the number of syllables in the Rig-Veda, which when multiplied by the soss (60) gives 25,920" (The reader is forgiven for a bit of laughter at this point)
The Bible has not escaped his pursuit. A prominent Assyriologist of the last century insisted that the total of the years recounted mounted in Genesis for the lifetimes of patriarchs from
the Flood also contained the needed secret numbers. (He showed that in the 1,656 years recounted in the Bible there are 86,400 7 day weeks, and dividing this number yields / Page 208 / 43,200.) In Indian yogic schools it is held that all living beings exhale and inhale 21,600 times a day, multiply this by 2 and again we have the necessary 432 digits.
Joseph Campbell discerns the secret in the date set for the coming of Patrick to Ireland. Myth-gives this date-as-the interesting number of AD.432.18
Whatever one may think-of some of these number coincidences, it becomes difficult to escape the suspicion that many signs (number and otherwise) - indicate that early man observed the results of the movement of Precession and that the - transmission of this information was considered of prime importance.
With the awareness of the phenomenon, observers would certainly have tried for its measure, and such an endeavour would have constituted the construction-of a 'Unified Field Theory' for nothing less than Creation itself. Once determined, it would have been information worthy of secrecy and worthy of the passing on to future adepts.
But one last word about mankind's romance with number coincidences.The antagonist in John Updike's novel, Roger's Version, is a computer hacker, who, convinced, that scientific evidence of God's existence is accumulating, endeavours to prove it by feeding -all the available scientific information. into a comuter. In his search for God 'breaking, through', he has become fascinated by certain numbers that have continually been cropping up. He explains them excitedly as 'the terms of Creation':
"...after a while I noticed that all over the sheet there seemed to hit these twenty-fours Jumping out at me. Two four; two, four. Planck time, for instance, divided by the radiation constant yields a figure near eight times ten again to the negative twenty-fourth, and the permittivity of free space, or electric constant, into the Bohr radius ekla almost exactly six times ten to the negative twenty-fourth. On positive side, the electromagnetic line-structure constant times Hubble radius - that is, the size of the universe as we now perceive it gives us something quite close to ten to the twenty-fourth, and the strong-force constant times the charge on the proton produces two point four times ten to the negative eighteenth, for another I began to circle twenty-four wherever it appeared on the Printout here' - he held it up his piece of stripped and striped wallpaper, decorated / Page 209 /
with a number of scarlet circles - 'you can see it's more than random.'19
This inhabitant of the twentieth century is convinced that the striking occurrences of 2 and 4 reveal the sacred numbers by which God is speaking to us.
So much for any scorn directed to ancient man's fascination with number coincidences. That fascination is alive and well, Just a bit more incomprehensible"
THE JESUS MYSTERIES
Timothy Freke & Peter Gandy
1999
Page 177
THE GOSPELS ARE ACTUALLY ANONYMOUS WORKS, IN WHICH EVERYTHING WITHOUT EXCEPTION, IS WRITTEN IN CAPITAL LETTERS, WITH NO PUNCTUATION OR SPACES BETWEEN WORDS.
NUMBER
9
THE SEARCH FOR THE SIGMA CODE
Cecil Balmond 1998
Cycles and Patterns
Page 165
Patterns
"The essence of mathematics is to look for patterns.
Our minds seem to be organised to search for relationships and sequences. We look for hidden orders.
These intuitions seem to be more important than the facts themselves, for there is always the thrill at finding something, a pattern, it is a discovery - what was unknown is now revealed. Imagine looking up at the stars and finding the zodiac!
Searching out patterns is a pure delight.
Suddenly the counters fall into place and a connection is found, not necessarily a geometric one, but a relationship between numbers, pictures of the mind, that were not obvious before. There is that excitement of finding order in something that was otherwise hidden.
And there is the knowledge that a huge unseen world lurks behind the facades we see of the numbers themselves."
MARIO AND THE MAGICIANS
THOMAS MANN
1875 - 1955
18
THE
TABLES OF THE LAW
Page 289
"...WITH A HANDFUL OF THESE SIGNS ALL THE WORDS
OF ALL THE LANGUAGES OF ALL THE PEOPLE
COULD, IF NEED BE, BE WRITTEN,..."
THE LIGHT IS RISING NOW RISING IS THE LIGHT
.....
THE LIGHT IS RISING NOW RISING IS THE LIGHT
A
HISTORY OF GOD
Karen Armstrong 1993
The God of the Mystics
Page 250
"Perhaps the most famous of the early Jewish mystical texts is the fifth century Sefer Yezirah (The Book of Creation). There is no attempt to describe the creative process realistically;
the account is unashamedly symbolic and shows God creating the world by means of language as though he were writing a book. But language has been entirely transformed and the message of creation is no longer clear. Each letter of the Hebrew alphabet is given a numerical value; by
combining the letters with the sacred numbers, rearranging them in
endless configurations, the mystic weaned his mind away from the normal connotations of words."
Page 250
THERE IS NO ATTEMPT MADE TO DESCRIBE THE CREATIVE PROCESS REALISTICALLY THE ACCOUNT
IS UNASHAMEDLY SYMBOLIC AND SHOWS GOD CREATING THE WORLD BY MEANS OF LANGUAGE AS
THOUGH HE WERE WRITING A BOOK. BUT LANGUAGE HAS BEEN ENTIRELY TRANSFORMED AND THE
MESSAGE OF CREATION IS NO LONGER CLEAR EACH LETTER OF THE HEBREW ALPHABET IS GIVEN
A NUMERICAL VALUE BY COMBINING THE LETTERS WITH THE SACRED NUMBERS REARRANGING
THEM IN ENDLESS CONFIGURATIONS THE MYSTIC WEANED THE MIND AWAY FROM THE NORMAL
CONNOTATIONS OF WORDS
THE LIGHT IS RISING NOW RISING IS THE LIGHT
....
LIGHT AND LIFE
Lars Olof Bjorn 1976
Page 197
"By writing the 26 letters of the alphabet in a certain order one may put down almost any message (this book 'is written with the same letters' as the Encyclopaedia Britannica and Winnie the Pooh, only the order of the letters differs). In the same way Nature is able to convey with her language how a cell and a whole organism is to be constructed and how it is to function. Nature has succeeded better than we humans; for the genetic code there is only one universal language which is the same in a man, a bean plant and a bacterium."
"BY WRITING THE 26 LETTERS OF THE ALPHABET IN A CERTAIN ORDER
ONE MAY PUT DOWN ALMOST ANY MESSAGE"
"FOR THE GENETIC CODE THERE IS ONLY ONE UNIVERSAL LANGUAGE"
DNA AND DNA DNA AND DNA DNA AND DNA
DNA AND DNA DNA AND DNA DNA AND DNA
Daily Mail 13, July 2017
Page 64
ANSWERS TO CORRESPONDENTS
Compiled by Charles Legge
QUESTION Scientists claim that all the computer data produced last year could be stored on 4g of DNA. What do they mean by this?
DNA (deoxyribonucleic acid) consists of sequences of the nucleobases adenine, guanine, cytosine and thymine (abbreviated to A, G, C and T).
DNA represents a storage mechanism for a 'programme' which allows it to replicate itself so that life can exist. DNA can potentially retain its programme for hundreds or even thousands of years.
In the laboratory, DNA sequencers can read the DNA programme from samples taken from living and dead organisms. There are companies who write a specific programme into synthetic DNA if supplied with the required sequence, which can later be read back.
You can immediately see how this could be used to store specific non-biological information if a sequence were written to synthetic DNA for that purpose.
The trick to being able to store usable computer data is not so much to do with synthesising the DNA, but in encoding the data to be used in the sequence in the first place so it can be later recovered. Without going into the absolute detail,
researchers have been using synthesised DNA where the bases T and G represent binary '1', and A and C represent binary '0'.
It's a lot more involved, as the data in each DNA strand consists of an address ) block followed by the actual data, and the sequence which is subsequently read back has to be reassembled using these t address blocks. It is a similar approach
to what is used within the computer industry, though more advanced.
It should be borne in mind that this i DNA has nothing to do with life or genetics. Its purpose is totally non-biological.
The storage capacity of DNA has been going up as experiments continue. In 2012, Harvard scientists managed to get 700 terabytes (TB) of data into lg of DNA. This year, over 200 petabytes (PB) has been crammed into a single gram.
To put this in perspective, a typical DVD can hold up to 4.7 gigabytes (GB) of data. A terabyte (TB) is 1,000 times bigger than a GB, and could hold the
equivalent data of around 210 DVDs.
A petabyte (PB) is 1,000 times bigger than a TB, so scientists have managed to pack the equivalent of around 42 million DVDs into that gram of DNA. Going up the ladder, an exabyte (EB) is 1,000 times bigger than a PB, and a zettabyte (ZB) is 1,000 times bigger again.
Some scientists have suggested that a single gram of DNA can potentially hold up to 455 EB of data (96 billion DVDs),
though others have estimated a lower figure of 270 PB.
As of 2011, total world data was estimated at just under 2 ZB (380 billion DVDs), meaning all of it could be stored. on 4g of DNA (a teaspoon) if this upper storage limit could be realised.
Even with the recent results, all human knowledge would easily fit in a bucket or n two! Or a swimming pool—as of 2017 the entire content of the worldwide web is estimated at 1 yottabyte (YB), where a YB is 1,000 times larger than a ZB.
Searching and indexing that amount of data would still be problematic. The numbers involved are hard to imagine, but 1 YB of data would take trillions of years to download on even the fastest broadband connection, so searching through it would take a lot of time.
It is amazing science, and Microsoft is said to be working on the technique.
Martin Sisson, Nbttingham.
....
THE LIGHT IS RISING NOW RISING IS THE LIGHT
GOD
THE GOD MIND = 99-54-9
THE GO DO GOOD GOD MIND
THAT THAT THAT THOU ART
ALWAYS ART
ALWAYS WAS
ALWAYS WILL BE
THE KNOWING OF THE GOD MIND
THY MIND
UNIVERSAL MIND
THE MAGIC MOUNTAIN
Thomas Mann 1875-1955
Page 466
"Had not the normal, since time was, lived on the achievements of the abnormal? Men consciously and voluntarily descended into disease and madness, in search of knowledge which, acquired by fanaticism, would lead back to health; after the possession and use of it had ceased to be conditioned by that heroic and abnormal act of sacrifice. That was the true death on the cross, the true Atonement."
THE TRUE DEATH ON THE CROSS THE TRUE AT ONE MENT
WAY OF THE PEACEFUL WARRIOR
Dan Millman 1980
Chapter 7
Page 199
"My instincts were wildly signalling danger, but Soc had already entered. Clicking my flashlight on, I left the moaning wind behind me and followed his faint light deeper into the cave. The flickering beam of my light showed pits and crevices whose bottoms I couldn't see.
"Soc, I don't like being buried this far back in the mountain." He glared at me. But to my relief he headed out toward the mouth of the cave. Not that it mattered; it was as dark outside as inside. We made camp, and Socrates took a pile of small logs out of his pack. "Thought we might need these," he said. The fire was soon crackling. Our bodies cast bizarre, twisted shadows, dancing wildly on the cave wall in front of us, as the flames consumed the logs.
Pointing to the shadows, Socrates said, "These shadows in the cave are an essential image of illusion and reality, of suffering and happiness. Here is an ancient story popularized by Plato:
There once was a people who lived their entire lives within a Cave of Illusions. After generations, they came to believe that their own shadows, cast upon the walls, were the substance of reality. Only the myths and religious tales spoke of a brighter possibility.
Obsessed with the shadow-play, the people became accustomed to and imprisoned by their dark reality.
I stared at the shadows and felt the heat of the fire upon my back as Socrates continued.
"Throughout history, Dan, there have been blessed exceptions to the prisoners of the Cave. There were those who became tired of the shadow play, who began to.doubt it, who were no longer fulfilled by shadows no matter how high they leaped. They became seekers of light. A fortunate few found a guide who prepared them and who took them beyond all illusion into the sunlight. "
Captivated by his story, I watched the shadows dance against the granite walls in the yellow light. Soc continued:
"All the peoples of the world, Dan, are trapped within the Cave of their own minds. Only those few warriors who see the light, who cut free, surrendering everything, can laugh into eternity. And so will you, my friend."
Page 45
"Don't be afraid," he repeated. "Comfort yourself with a saying of Confucius," he smiled. " 'Only the supremely wise and the ignorant do not alter.' " Saying that, he reached out and placed his hands gently but firmly on my temples.
Nothing happened for a moment-then suddenly, I felt a growing pressure in the middle of my head. There was a loud buzzing, then a sound like waves rushing up on the beach. I heard bells ringing, and my head felt as if it was going to burst. That's when I saw the light, and my mind exploded with its brightness. Something in me was dying-I knew this for a certainty-and something else was being born! Then the light engulfed everything."
ATONEMENT
- |
- |
- |
- |
A |
- |
- |
- |
- |
- |
- |
- |
- |
T |
- |
- |
- |
- |
- |
- |
- |
- |
O |
- |
- |
- |
- |
- |
- |
- |
- |
N |
- |
- |
- |
- |
A |
T |
O |
N |
E |
M |
E |
N |
T |
- |
- |
- |
- |
M |
- |
- |
- |
- |
- |
- |
- |
- |
E |
- |
- |
- |
- |
- |
- |
- |
- |
N |
- |
- |
- |
- |
- |
- |
- |
- |
T |
- |
- |
- |
- |
-
...
.....
DAILY MAIL
Wednesday, March 12, 2008
Allison Pearson
Page 15
"It's a bleak picture that brings to mind W.B. Yeats's great poem about a world where the natural order of things has catastrophically broken down: 'Things fall apart; the centre cannot hold;/Mere anarchy is loosed, and everywhere/The ceremony of innocence is drowned,'
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1 |
6 |
|
77 |
32 |
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2 |
4 |
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31 |
13 |
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3 |
5 |
|
56 |
20 |
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|
4 |
3 |
|
33 |
15 |
|
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|
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|
|
|
|
|
|
|
|
|
5 |
6 |
|
65 |
29 |
|
|
|
|
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|
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|
6 |
6 |
|
67 |
22 |
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7 |
4 |
|
39 |
21 |
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4 |
8 |
4 |
|
41 |
23 |
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9 |
7 |
|
70 |
34 |
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|
10 |
2 |
|
28 |
10 |
|
|
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|
11 |
6 |
|
70 |
25 |
|
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|
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|
|
|
|
|
|
12 |
3 |
|
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
13 |
10 |
|
134 |
62 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
14 |
3 |
|
33 |
15 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
15 |
8 |
|
98 |
44 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
16 |
2 |
|
21 |
12 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
17 |
9 |
|
82 |
46 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
18 |
2 |
|
28 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
19 |
7 |
|
83 |
38 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
First Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
8+1 |
|
9+7 |
Add to Reduce |
1+0+7+6 |
4+8+1 |
7+6 |
|
|
|
|
|
1+0 |
1+2 |
1+4 |
1+6 |
|
|
|
|
|
|
Second Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+6 |
Reduce to Deduce |
1+3 |
1+3 |
1+3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Third Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Reduce to Deduce |
|
|
|
|
|
|
|
|
|
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|
|
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|
Essence of Number |
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ADVENT 2054 ADVENT
FOUR QUARTETS
BURNT NORTON
T.S. Eliot 1943
Page 15/16
"AT THE STILL POINT OF THE TURNING WORLD. NEITHER FLESH NOR FLESHLESS;
NEITHER FROM NOR TOWARDS; AT THE STILL POINT, WHERE THE DANCE IS,
BUT NEITHER ARREST NOR MOVEMENT. AND DO NOT CALL IT FIXITY,
WHERE PAST AND FUTURE ARE GATHERED.
NEITHER MOVEMENT FROM NOR TOWARDS,
NEITHER ASCENT NOR DECLINE. EXCEPT FOR THE POINT, THE STILL POINT,
THERE WOULD BE NO DANCE AND THERE IS ONLY THE DANCE"
LORD OF THE DANCE
I danced in the morning when the world was begun.
And I danced in the moon and the stars and the sun,
I came down from heaven and I danced on the earth;
At Bethlehem I had my birth.
Dance then wherever you may be;
I am the Lord of the Dance said he,
And I'll lead you all wherever you may be,
And I'll lead you all in the dance, said he.
I danced for the scribe and the Pharisee,
but they wouldn't dance and they wouldn't follow me.
I danced for the fishermen, for James and John-
They came with me and the dance went on.
Dance then wherever you may be;
I am the Lord of the Dance said he,
And I'll lead you all wherever you may be,
And I'll lead you all in the dance, said he.
I danced on the Sabbath and I cured the lame;
The holy people said it was a shame
They whipped and they stripped and they hung me on high
They left me there on a cross to die
Dance then wherever you may be;
I am the Lord of the Dance said he,
And I'll lead you all wherever you may be,
And I'll lead you all in the dance, said he.
I danced on a Friday when the sky turned black-
It's hard to dance with the devil on your back.
They buried my body and they thought I'd gone;
But I'm the dance and I still go on
Dance then wherever you may be;
I am the Lord of the Dance said he,
And I'll lead you all wherever you may be,
And I'll lead you all in the dance, said he
They cut me down and I leapt up high
I am the life that will never, never die
I'll live in you if you'll live in me-
I am Lord of the dance said he.
LIGHT DARK BALANCING TWILIGHT BALANCING DARK LIGHT
DARK LIGHT BALANCING TWILIGHT BALANCING LIGHT DARK
NUMBER
9
THE SEARCH FOR THE SIGMA CODE
Cecil Balmond 1998
Page 32
5
To Sorcerers and Magicians number FIVEis the most powerful - five is the mark of the pentacle, a five pointed star drawn by extending the sides of a Pentagon. Five surely is in the possession of the occult. And the Pentagon is the geometric figure in which the golden ratio of classical art and architecture is found most.
THE
BALANCING
ONE TWO THREE FOUR
FIVE
NINE EIGHT SEVEN SIX
O |
= |
15 |
ONE |
3 |
- |
34 |
16 |
7 |
- |
1 |
T |
= |
20 |
TWO |
3 |
- |
58 |
13 |
4 |
- |
2 |
T |
= |
20 |
THREE |
5 |
- |
56 |
29 |
2 |
- |
3 |
F |
= |
6 |
FOUR |
4 |
- |
60 |
24 |
6 |
- |
4 |
- |
- |
61 |
Add |
15 |
- |
208 |
82 |
19 |
- |
10 |
- |
- |
6+1 |
Reduce |
- |
- |
2+0+8 |
8+2 |
1+9 |
- |
1+0 |
- |
- |
7 |
Reduce |
6 |
- |
10 |
10 |
10 |
- |
1 |
- |
- |
- |
Deduce |
- |
- |
1+0 |
1+0 |
1+0 |
- |
- |
- |
- |
7 |
Essence |
6 |
- |
1 |
1 |
1 |
- |
1 |
N |
= |
14 |
NINE |
4 |
- |
42 |
24 |
6 |
- |
9 |
E |
= |
5 |
EIGHT |
5 |
- |
49 |
31 |
4 |
- |
8 |
S |
= |
19 |
SEVEN |
5 |
- |
65 |
20 |
2 |
- |
7 |
S |
= |
19 |
SIX |
3 |
- |
52 |
16 |
7 |
- |
6 |
- |
- |
57 |
Add |
17 |
- |
208 |
91 |
19 |
- |
30 |
- |
- |
5+7 |
Reduce |
1+7 |
- |
2+0+8 |
9+1 |
1+9 |
- |
3+0 |
- |
- |
12 |
Reduce |
8 |
- |
10 |
10 |
10 |
- |
3 |
- |
- |
1+2 |
Deduce |
- |
- |
1+0 |
1+0 |
1+0 |
- |
- |
- |
- |
3 |
Essence |
8 |
- |
1 |
1 |
1 |
- |
3 |
1 2 3 4 5 6 7 8 9 9 8 7 6 5 4 3 2 1
15 |
ONE TWO THREE FOUR |
208 |
82 |
1 |
4 |
FIVE |
42 |
24 |
6 |
17 |
NINE EIGHT SEVEN SIX |
208 |
91 |
1 |
3 |
ONE |
34 |
16 |
7 |
- |
3 |
SIX |
52 |
16 |
7 |
3 |
TWO |
58 |
13 |
4 |
- |
5 |
SEVEN |
65 |
20 |
2 |
5 |
THREE |
56 |
29 |
2 |
- |
5 |
EIGHT |
49 |
31 |
4 |
4 |
FOUR |
60 |
24 |
6 |
- |
4 |
NINE |
42 |
24 |
6 |
15 |
Add |
208 |
82 |
19 |
- |
17 |
Add |
208 |
91 |
19 |
1+5 |
Reduce |
2+0+8 |
8+2 |
1+9 |
- |
1+7 |
Reduce |
2+0+8 |
9+1 |
1+9 |
6 |
Reduce |
10 |
10 |
10 |
- |
8 |
Reduce |
10 |
10 |
10 |
- |
Deduce |
1+0 |
1+0 |
1+0 |
- |
- |
Deduce |
1+0 |
1+0 |
1+0 |
6 |
Essence |
1 |
1 |
1 |
- |
8 |
Essence |
1 |
1 |
1 |
1 |
3 |
ONE |
34 |
16 |
7 |
2 |
3 |
TWO |
58 |
13 |
4 |
3 |
5 |
THREE |
56 |
29 |
2 |
4 |
4 |
FOUR |
60 |
24 |
6 |
5 |
4 |
FIVE |
42 |
24 |
6 |
6 |
3 |
SIX |
52 |
16 |
7 |
7 |
5 |
SEVEN |
65 |
20 |
2 |
8 |
5 |
EIGHT |
49 |
31 |
4 |
9 |
4 |
NINE |
42 |
24 |
6 |
45 |
36 |
Add |
458 |
197 |
44 |
4+5 |
3+6 |
Reduce |
4+5+8 |
1+9+7 |
4+4 |
9 |
9 |
Reduce |
17 |
17 |
8 |
- |
- |
Deduce |
1+7 |
1+7 |
- |
9 |
9 |
Essence |
8 |
8 |
8 |
0 |
- |
ZERO |
64 |
28 |
1 |
1 |
6 |
ONE |
34 |
16 |
7 |
2 |
2 |
TWO |
58 |
13 |
4 |
3 |
2 |
THREE |
56 |
29 |
2 |
4 |
6 |
FOUR |
60 |
24 |
6 |
5 |
6 |
FIVE |
42 |
24 |
6 |
6 |
1 |
SIX |
52 |
16 |
7 |
7 |
1 |
SEVEN |
65 |
20 |
2 |
8 |
5 |
EIGHT |
49 |
31 |
4 |
9 |
5 |
NINE |
42 |
24 |
6 |
45 |
34 |
Add |
522 |
225 |
45 |
4+5 |
3+4 |
Reduce |
5+2+2 |
2+2+5 |
4+5 |
9 |
7 |
Deduce |
9 |
9 |
9 |
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
E |
= |
5 |
- |
1 |
E |
5 |
5 |
5 |
A |
= |
1 |
- |
2 |
AT |
21 |
3 |
3 |
D |
= |
4 |
- |
6 |
DELPHI |
54 |
36 |
9 |
- |
- |
12 |
- |
12 |
First Total |
113 |
59 |
23 |
- |
- |
1+2 |
- |
1+2 |
Add to Reduce |
1+1+3 |
5+9 |
2+3 |
Q |
- |
3 |
- |
3 |
Second Total |
5 |
14 |
5 |
- |
- |
- |
- |
- |
Reduce to Deduce |
- |
1+4 |
= |
- |
- |
3 |
- |
3 |
Essence of Number |
5 |
5 |
5 |
THE E AT DELPHI
THE 5 AT DELPHI
THE E AT DELPHI
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
E |
= |
5 |
- |
1 |
E |
5 |
5 |
5 |
A |
= |
1 |
- |
2 |
AT |
21 |
3 |
3 |
D |
= |
4 |
- |
6 |
DELPHI |
54 |
36 |
9 |
- |
- |
12 |
- |
12 |
First Total |
113 |
59 |
23 |
- |
- |
1+2 |
- |
1+2 |
Add to Reduce |
1+1+3 |
5+9 |
2+3 |
Q |
- |
3 |
- |
3 |
Second Total |
5 |
14 |
5 |
- |
- |
- |
- |
- |
Reduce to Deduce |
- |
1+4 |
= |
- |
- |
3 |
- |
3 |
Essence of Number |
5 |
5 |
5 |
PLUTARCH
MORALIA
VOLUME
LCL 306 V
With an English Traslation by Frank Cole Babbitt 1999
Page 194
INTRODUCTION
"PLUTARCH, in this essay on the E at Delphi, tells us that beside the well-known inscriptions at Delphi there was also a representation of the letter E, the fifth letter of the Greek alphabet. The Greek name for this letter was El, and this diphthong, in addition to being used in Plutarch's time as the name of E (which denotes the number five), is the Greek word for" if," and also the word for the second person singular of the verb" to be " (thou art).
In searching for an explanation of the unexplainable it is only natural that the three meanings of El (" five," "if," "thou art") should be examined to see if any hypothesis based on anyone of them might possibly yield a rational explanatiqn; and these hypotheses constitute the skeleton about which is built the body of Plutarch's essay. From it we gain
some interesting delineations of character and an engaging portrayal of the way in which a philosopher acts, or reacts, when forced unwillingly to face the unknowable.
Plutarch puts forward seven possible explanations
of the letter: .
(1) It was dedicated by the Wise Men, as a protest against interlopers, to show that their number was actually five and not seven (El = E, five). ' / Page 195
(2) El is the second vowel, the Sun is the second planet, and Apollo is identified with the sun (El = R, the vowel).
(3) El means" if": people ask the oracle IF they shall succeed, or IF they shall do this or that (El = " if ").
(4) El is used in wishes or prayers to the god, often in the combination €tO€ or d yap (El =" if" or " if only").
(5) El, " if," is an indispensable word in logic for
the construction of a syllogism (El = " if ").
(6) Five is a most important number in mathematics, physiology, philosophy, and music (El = E, " five ").
(7) El means" thou art" and is the address of the consultant to Apollo, to indicate that the god has eternal being (El =" thou art "). a
Attempts to explain the letter have been also made in modern times by Gottling, Berichte der Sachs. Gesell. der Wiss. I. (1846-47) pp. 311 ff., and by Schultz in Philologus (1866), pp. 214 ff. Roscher, in Philologus (1900), pp. 21 ff.; (1901), pp. 81 ff.; (1902), pp. 513 ff. ; Hermes (1901), pp. 470 ff. (<;omment also by C. Robert in the same volume, p. 490), and the Philologische Wochenschrift (1922), col. 1211, maintains that El is an imperative from €lfLL, " go," addressed to the person who came to consult the oracle, and that it means" go on," " continue" into the temple. The value of this explanation is somewhat doubtful, since El in this word (€llu) is a true diphthong, and so is not generally spelled with simple E except in the Corinthian alphabet. Although a This explanation is accepted by Poulsen (Delphi, p. 149), but is open to very serious objections
Prometheus - Wikipedia, the free encyclopedia
en.wikipedia.org/wiki/Prometheus
In Greek mythology, Prometheus 1] is a Titan, culture hero, and trickster figure who is credited with the creation of man from clay, and who defies the gods and ...
Prometheus (2012 film) - Prometheus (disambiguation) - Theft of fire - Culture hero
Prometheus
From Wikipedia, the free encyclopedia
This article is about the Greek mythological figure. For other uses, see Prometheus (disambiguation).
In Greek mythology, Prometheus (/prəˈmiːθiːəs/; Greek: Προμηθεύς, pronounced [promɛːtʰeús], meaning "forethought")[1] is a Titan, culture hero, and trickster figure who is credited with the creation of man from clay, and who defies the gods and gives fire to humanity, an act that enabled progress and civilization. Prometheus is known for his intelligence and as a champion of mankind.[2]
The punishment of Prometheus as a consequence of the theft is a major theme of his mythology, and is a popular subject of both ancient and modern art. Zeus, king of the Olympian gods, sentenced the Titan to eternal torment for his transgression. The immortal Prometheus was bound to a rock, where each day an eagle, the emblem of Zeus, was sent to feed on his liver, which would then grow back to be eaten again the next day. (In ancient Greece, the liver was thought to be the seat of human emotions.)[3] In some stories, Prometheus is freed at last by the hero Heracles (Hercules).
In another of his myths, Prometheus establishes the form of animal sacrifice practiced in ancient Greek religion. Evidence of a cult to Prometheus himself is not widespread. He was a focus of religious activity mainly at Athens, where he was linked to Athena and Hephaestus, other Greek deities of creative skills and technology.[4]
In the Western classical tradition, Prometheus became a figure who represented human striving, particularly the quest for scientific knowledge, and the risk of overreaching or unintended consequences. In particular, he was regarded in the Romantic era as embodying the lone genius whose efforts to improve human existence could also result in tragedy: Mary Shelley, for instance, gave The Modern Prometheus as the subtitle to her novel Frankenstein (1818).
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LIGHT |
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BRINGER |
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Reduce to Deduce |
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Essence of Number |
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BALANCING
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I 2 3 4 FIVE 6 7 8 9 9 8 7 6 FIVE 4 3 2 1
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1+4 |
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PROMETHEUS |
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7 |
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R |
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9 |
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18 |
9 |
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10 |
PROMETHEUS |
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1+0 |
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PROMETHEUS |
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1+4 |
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PROMETHEUS |
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PROMETHEUS |
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20 |
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U |
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1 |
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3 |
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5 |
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1 |
E |
5 |
5 |
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O |
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6 |
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1 |
O |
15 |
6 |
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P |
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7 |
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P |
16 |
7 |
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H |
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8 |
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1 |
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8 |
8 |
8 |
R |
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9 |
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1 |
R |
18 |
9 |
9 |
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10 |
PROMETHEUS |
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5+0 |
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1+0 |
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1+4+0 |
5+9 |
5+0 |
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PROMETHEUS |
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1+4 |
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PROMETHEUS |
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PROMETHEUS |
- |
- |
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P |
16 |
7 |
7 |
1 |
R |
18 |
9 |
9 |
1 |
O |
15 |
6 |
6 |
1 |
M |
13 |
4 |
4 |
1 |
E |
5 |
5 |
5 |
1 |
T |
20 |
2 |
2 |
1 |
H |
8 |
8 |
8 |
1 |
E |
5 |
5 |
5 |
1 |
U |
21 |
3 |
3 |
1 |
S |
19 |
10 |
1 |
10 |
PROMETHEUS |
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1+0 |
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1+4+0 |
5+9 |
5+0 |
1 |
PROMETHEUS |
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- |
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5+9 |
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1 |
PROMETHEUS |
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PROMETHEUS MET ORPHEUS MET PROMETHEUS
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PROMETHEUS |
- |
- |
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MET |
38 |
11 |
7 |
1 |
ORPHEUS |
102 |
8 |
8 |
10 |
PROMETHEUS |
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1+0 |
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1+4+0 |
5+9 |
5+0 |
1 |
PROMETHEUS |
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- |
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5+9 |
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1 |
PROMETHEUS |
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ORPHEUS MET PROMETHEUS MET ORPHEUS MET PROMETHEUS
MORPHEUS
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- |
- |
- |
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1 |
- |
M |
13 |
4 |
4 |
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2 |
- |
O |
15 |
6 |
6 |
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3 |
- |
R |
18 |
9 |
9 |
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4 |
- |
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16 |
7 |
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5 |
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H |
8 |
8 |
8 |
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6 |
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E |
5 |
5 |
5 |
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7 |
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U |
21 |
3 |
3 |
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8 |
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19 |
10 |
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115 |
52 |
43 |
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4+3 |
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1+1+5 |
5+2 |
4+3 |
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7 |
7 |
7 |
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MORPHEUS
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- |
- |
- |
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8 |
- |
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19 |
10 |
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7 |
- |
U |
21 |
3 |
3 |
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1 |
- |
M |
13 |
4 |
4 |
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6 |
- |
E |
5 |
5 |
5 |
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2 |
- |
O |
15 |
6 |
6 |
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4 |
- |
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16 |
7 |
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5 |
- |
H |
8 |
8 |
8 |
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3 |
- |
R |
18 |
9 |
9 |
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115 |
52 |
43 |
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4+3 |
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1+1+5 |
5+2 |
4+3 |
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7 |
7 |
7 |
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MORPHEUS
ORPHEUS
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- |
- |
- |
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2 |
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O |
15 |
6 |
6 |
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3 |
- |
R |
18 |
9 |
9 |
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4 |
- |
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16 |
7 |
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5 |
- |
H |
8 |
8 |
8 |
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6 |
- |
E |
5 |
5 |
5 |
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7 |
- |
U |
21 |
3 |
3 |
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8 |
- |
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19 |
10 |
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102 |
39 |
30 |
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3+9 |
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1+0+2 |
3+9 |
3+0 |
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3 |
12 |
3 |
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1+2 |
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1+2 |
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3 |
3 |
3 |
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ORPHEUS
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- |
- |
- |
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8 |
- |
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19 |
10 |
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7 |
- |
U |
21 |
3 |
3 |
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6 |
- |
E |
5 |
5 |
5 |
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2 |
- |
O |
15 |
6 |
6 |
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4 |
- |
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16 |
7 |
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5 |
- |
H |
8 |
8 |
8 |
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3 |
- |
R |
18 |
9 |
9 |
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102 |
39 |
30 |
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3+9 |
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1+0+2 |
3+9 |
3+0 |
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3 |
12 |
3 |
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1+2 |
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1+2 |
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3 |
3 |
3 |
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- |
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8 |
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19 |
10 |
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7 |
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U |
21 |
3 |
3 |
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6 |
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5 |
5 |
5 |
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2 |
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O |
15 |
6 |
6 |
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4 |
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16 |
7 |
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5 |
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H |
8 |
8 |
8 |
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3 |
- |
R |
18 |
9 |
9 |
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102 |
39 |
30 |
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3+9 |
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1+0+2 |
3+9 |
3+0 |
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3 |
12 |
3 |
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1+2 |
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1+2 |
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3 |
3 |
3 |
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- |
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|
|
8 |
- |
|
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
7 |
- |
U |
21 |
3 |
3 |
|
|
|
|
|
|
|
|
|
|
|
6 |
- |
E |
5 |
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
2 |
- |
O |
15 |
6 |
6 |
|
|
|
|
|
|
|
|
|
|
|
4 |
- |
|
16 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
5 |
- |
H |
8 |
8 |
8 |
|
|
|
|
|
|
|
|
|
|
|
3 |
- |
R |
18 |
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
102 |
39 |
30 |
|
|
|
|
|
|
|
|
|
|
3+9 |
|
|
|
1+0+2 |
3+9 |
3+0 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
12 |
3 |
|
|
|
|
|
|
|
|
|
|
1+2 |
|
|
|
|
1+2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
3 |
3 |
|
|
|
|
|
|
|
|
MORPHEUS ORPHEUS PHOSPHORUS
LIGHT
TO SLEEP PERCHANCE TO DREAM.
NO TIME!
AWAKEN FOR THE TIME THAT IS COMING NOW IS.
FRATERNAL GREETINGS CITIZEN OF THE CITY OF NINE GATES.
FRATERNAL GREETINGS CITIZEN OF PLANET EARTH.
FRATERNAL GREETINGS CITIZEN OF THE UNIVERSE.
FRATERNAL GREETINGS UNIVERSAL CITIZEN.
THANK YOU FOR RECEIVING THIS MESSAGE TO THE PEOPLE OF PLANET EARTH.
A PRESENT FROM THE PAST TO THE FUTURE PRESENT.
ANOTHER SIGN OF A SIGNAL.
IS 1836 IS
TO YOU THAT HAVE THE EYES THAT READ A BEATING ART.
THE WATER OF LIFE BORN OUT THE IN OF THE HOLY MOTHERS WOMB
THE SELF EVIDENT TRUTH
LET THOSE WHO HAVE EARS TO HEAR LET THEM HEAR.
CREATION REACTION
ELECTRIC = ET CIRCLE
ESOTERIC = O SECRET I = ESOTERIC
ESOTERIC 6 SECRET 9 = ESOTERIC
ESOTERIC = I SECRET O = ESOTERIC
ESOTERIC 9 SECRET 6 = ESOTERIC
EARTH HEART TERAH THERA
READ DEAR READ
REAL REALITY REVEALED
REALREALITYREVEALED
9 9 9 9 9 9 9 9 9 9
REALREALITYREVEALED
AMEN THE NAME
NAME MAN E MAN NAME
NAM E MAN
MAN 5 NAM
AMEN MANE MEAN
THE 6
HOLY 6
NAME 6
LIVE EVIL VEIL VILE LEVI
LIVED DEVIL
LIGHT DARK
SOUL SO U LIVE
SOUL SO U LEARN
SOUL SO U LOVE
OUT OF ZERO COMETH ONE.
1 - 8 – 3 - 6.
1 ONE YOU
8 EIGHT
3 THREE
6 SIX.
MAN NAM
NAM E MAN
MAN I NAME THEE E
RU LUCIFER.
L U C FIRE
3-3-3-FIRE
LET U C FIRE
PROMETHEUS
PROMETHEUS = MET ORPHEUS
PROMISETHEEUS
PROMISE THEE US MOTHER
the doctrine of baptism/thomas patient - The Reformed Reader
www.reformedreader.org/dob.htm
... he said "Pity thyself Master, this thing shall not be to thee," My Resolution was as Christ said, "get thee behind me satan, thou savourest not the things of God.
October | 2014 | Foundation Truths - Captain James
https://captainjamesdavis.net/2014/10/
15 Oct 2014 - When the devil assaulted our Saviour in Peter, he said ' get thee behind me satan, thou savourest not the things of God.'
THE PROMISE OF GOD FOR THE LATTER DAYS by William Penn of ...
https://captainjamesdavis.net/.../the-promise-of-god-for-the-latter-days-by-william-pe...
8 Oct 2014 - When the devil assaulted our Saviour in Peter, he said ' get thee behind me satan, thou savourest not the things of God.'
GET THEE BEHIND ME SATAN THOU SAVOUREST NOT THE THINGS OF GOD
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
3 |
|
32 |
14 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
4 |
|
38 |
20 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
6 |
|
42 |
33 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
2 |
|
18 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
5 |
|
55 |
19 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
4 |
|
64 |
19 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
7 |
9 |
|
140 |
50 |
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
8 |
3 |
|
49 |
13 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
9 |
3 |
|
33 |
15 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
10 |
6 |
|
77 |
41 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
11 |
2 |
|
21 |
12 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
12 |
3 |
|
26 |
17 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
First Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
4+1 |
|
5+0 |
Add to Reduce |
5+9+5 |
2+6+2 |
5+5 |
|
|
|
|
|
1+5 |
1+2 |
|
|
|
|
|
|
|
|
Second Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Reduce to Deduce |
1+9 |
1+0 |
1+0 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Third Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Reduce to Deduce |
1+0 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Essence of Number |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
5 |
|
55 |
19 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
4 |
|
64 |
19 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
4 |
|
38 |
20 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
11 |
2 |
|
21 |
12 |
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
8 |
3 |
|
49 |
13 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
3 |
|
32 |
14 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
7 |
9 |
|
140 |
50 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
10 |
6 |
|
77 |
41 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
6 |
|
42 |
33 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
9 |
3 |
|
33 |
15 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
12 |
3 |
|
26 |
17 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
2 |
|
18 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
First Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
4+1 |
|
5+0 |
Add to Reduce |
5+9+5 |
2+6+2 |
5+5 |
|
|
|
|
|
1+5 |
1+2 |
|
|
|
|
|
|
|
|
Second Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Reduce to Deduce |
1+9 |
1+0 |
1+0 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Third Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Reduce to Deduce |
1+0 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Essence of Number |
|
|
|
|
|
|
|
|
|
|
|
|
|
EVENS THE SEVENTH HEAVEN THE SO EVEN SEVEN
IN THE WORLD BUT NOT OF IT
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
3 |
|
23 |
14 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
9 |
3 |
|
33 |
15 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
2 |
|
72 |
27 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
4 |
|
43 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
8 |
3 |
|
49 |
13 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
11 |
2 |
|
21 |
12 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
6 |
|
29 |
11 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
First Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3+8 |
|
2+0 |
Add to Reduce |
2+7+0 |
9+9 |
3+6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Second Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+1 |
|
|
Reduce to Deduce |
|
1+8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Essence of Number |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
6 |
|
29 |
11 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
11 |
2 |
|
21 |
12 |
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
8 |
3 |
|
49 |
13 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
3 |
|
23 |
14 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
9 |
3 |
|
33 |
15 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
4 |
|
43 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
2 |
|
72 |
27 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
First Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3+8 |
|
2+0 |
Add to Reduce |
2+7+0 |
9+9 |
3+6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Second Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+1 |
|
|
Reduce to Deduce |
|
1+8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Essence of Number |
|
|
|
|
|
|
|
|
|
|
|
|
|
Daily Mail, Wednesday, July 12, 2017
Page 45
QUESTION Did William Tyndale introduce more words to the English language than William Shakespeare?
HUNDREDS of neologisms have been edged into circulation by the writers who coined them. Authors such as Lewis Carroll and Dr Seuss delighted in inventing nonsensical words, and 265 words and compounds are cited as having been first used by Charles Dickens.
William Shakespeare is credited with giving us more words and phrases than anyone else. He used a vocabulary of about 21,000 words. But translator and Protestant martyr William Tyndale has been called the father of English prose.
He spent much of his life in exile translating the Bible into English. At least 3,000 copies of the Worms New Testament Bible were printed in Germany in 1536 and smuggled into England. For this `heresy', Tyndale was strangled and his body then burned at the stake.
When the authorised King James Bible was published in the Jacobean era, 83 per cent was based on the work of Tyndale.
Some of the phrases that come from his translation include: 'Let there be light' (Genesis 1:3); 'Am I my brother's keeper?' (Genesis 4:9); 'The Lord bless thee and keep thee' (Numbers 6:24); 'In the beginning was the Word, and the Word was with God, and the Word was God' (John 1:1); and 'Our Father, which art in Heaven, hallowed be thy name' (Matthew 6:9).
He came up with: 'The signs of the times' (Matthew 16:3); 'The spirit is willing, but the flesh is weak' (Matthew 26:41); `Though I speak with the tongues of men and of angels' (1 Corinthians 13:1); 'Fight the good fight' (1 Timothy 6:12); and `... be not weary in well-doing' (2 Thessalonians 3:13). He also created words such as 'Passover', 'beautiful' and 'Jehovah'.
Tyndale's Bible let the English language develop and encouraged people to learn to read.
Emilie Lamplough, Trowbridge, Wilts.
Daily Mail, Wednesday, June 28, 2017
QUESTION
The sentence 'amazingly few discotheques provide jukeboxes' contains all the alphabet's letters. Are there any shorter ones?
THIS is a pangram. Others include 'Pack my box with five dozen liquor jugs' and `Jackdaws love my big sphinx of quartz'.
A 'perfect' one uses each letter once. The Guinness Book of Records-called this example the world's most contrived sentence: 'Cwm fjord-bank glyphs vext quiz', meaning 'annoying question concerning letters carved into a glaciated hollow on the bank of a sea inlet'.
Pangrams can be found in many other languages, too.
John Ward, Bristol.
THE best-known pangram in English is `The quick brown fox jumps over the lazy dog' (35 letters). Dating back to 1888, it is famous for its coherency and often used for touch-typing practice. Robert Baden-Powell's book Scouting For Boys (1908) uses it as a practice for signalling.
The shortest in English without abbreviations are 'Nymphs blitz quick vex dwarf jog', 'Big fiords vex quick waltz nymph', and 'Bawds jog, flick quartz, vex nymph' (all 27 letters).
The question's pangram is shortest in terms of words. An equivalent is `Sympathizing would fix Quaker objectives' but contains a proper noun and an American spelling. Other good pangrams include: 'Fox nymphs grab quick jived waltz', 'My ex pub quiz crowd gave joyful thanks', 'Pack my box with five dozen liquor jugs', `Schwarzkopf vexed Iraq big-time in July', 'Waxy and quivering, jocks fumble the pizza' and 'Foxy diva Jennifer Lopez wasn't baking my quiche'.
Ian Dean, Birmingham.
Daily Mail, Monday, June 26, 2017
QUESTION A common
misconception is -that sushi mans 'raw flsh'.1n fact, it means 'sour rice'. What other words are commonly mistranslated?
THERE are a number of 'false friends' in French, words that sound similar to English counterparts, but have different eanings and are often mistranslated.
Assister does not mean 'assist' but to `attend an event' e.g. 'Joanna assiste au concert' —Joanne attends the concert.'
Deception doesn't mean 'deception' but `disappointment' e.g. `une immense deception' — 'a huge disappointment.'
In English, sympathetic is an adjective based on the noun sympathy. In French sympathique means nice or friendly.
Demander means 'ask for', exiger means to demand; habit means outfit, habitude means habit; place means seat, endroit means place; resumer means to summarise, reprendre is to resume; trouble means indistinct or murky, probleme or difficulte means trouble.
Watch out for excite — this usually means excited in a sexual sense! Go with anime e.g. 'Jeanne est toute animee a cause de la parrure' — 'Jeanne is very excited about the necklace'.
Mary Wilson, London SW7.
ANCIENT religious texts are a source for many translation errors. One famous example is the belief that the forbidden fruit in the Garden of Eden was an apple. This originates from a mistranslation of the Latin word malum, meaning both `apple' and 'evil'.
Ian Peel, Bray, Berks.
ORIENTAL MAGIC
Idries Shah 1956
Page 85 /6
I am
(Sufi poem of Mirza Khan, Ansari)
How shall I define what thing I am?
Wholly existent, and yet non-existent, through Him, I am.
Whatever becometh naught out of entity,
The signification of that nothingness am I.
Sometimes a mote on the disc of the sun;
At others, a ripple on the water's surface.
Now I fly about in the wind of association:
Now I am a bird of the incorporeal world.
By the name of ice I also style myself:
Congealed in the winter season am I.
I have enveloped myself in the four elements;
I am the cloud on the face of the sky.
From unity I have come into infinity:
Indeed, nothing existeth, that I am not.
My vitality is from life's source itself;
And I am the speech, every mouth within.
I am the hearing-sense with every ear;
And also the sight of every eye am I.
I am the potentiality of every thing:
I am the perception every one within.
My will and inclination are with all;
With mine own acts, also, satisfied am I.
Unto the sinful and vicious, I am evil;
But unto the good beneficent am I.
I THAT 9 AM
ORIENTAL MAGIC
Idries Shah 1956
Page 85 /6
9 am
(Sufi poem of Mirza Khan, Ansari)
How shall 9 define what thing 9 am?
Wholly existent, and yet non-existent, through Him, 9 am.
Whatever becometh naught out of entity,
The signification of that nothingness am 9.
Sometimes a mote on the disc of the sun;
At others, a ripple on the water's surface.
Now 9 fly about in the wind of association:
Now 9 am a bird of the incorporeal world.
By the name of ice 9 also style myself:
Congealed in the winter season am 9.
9 have enveloped myself in the four elements;
9 am the cloud on the face of the sky.
From unity 9 have come into infinity:
Indeed, nothing existeth, that 9 am not.
My vitality is from life's source itself;
And 9 am the speech, every mouth within.
9 am the hearing-sense with every ear;
And also the sight of every eye am 9.
9 am the potentiality of every thing:
9 am the perception every one within.
My will and inclination are with all;
With mine own acts, also, satisfied am 9.
Unto the sinful and vicious, 9 am evil;
But unto the good beneficent am 9.
Page 83
Dhikrs of the Sufis
AIl recitations are performed in a state of ritual purity. The face, arms, feet and mouth are washed. If the Seeker has slept since his last dhikr, he must have a bath. Any other pollution must also be removed by complete immersion.
Dhikrs are generally said during the hours of darkness. When a supernatural result is desired, the dhikr must dwell upon some facet of the Divine power allied to the effect to be accom- plished. Thus, when a Sufi wishes to cure illness, he prepares himself by repeating a dhikr consisting of the Name of God which denotes healing. By this means the Sufi intends to collect in his mind a tremendous potential of mental force associated with healing. This he projects towards the object of ltis atten- tions, at the same time concentrating upon the desired result.
When a Sufi's aid is invoked to ensure, for example, success in any venture, he will purify himself and spend three nights, culminating on a Thursday, reciting the simple formula Ya Fatih (' O Victor ') - one of the Attributes of the AIl-Powerful.
On Thursday (the 'powerful' night of the week) the full quota of power will have been built up in his mind: this, at any event, is the theory. He may also give the person a talisman or amulet with the dhikr written on it, to wear on his arm. Even today, these dhikr amulets are widely worn among all classes in the Moslem East. It is not uncommon for Sufis to receive a visitation from some important member of the Order - perhaps long dead - advising them as to the best course to take in any matter upon which they are uncertain.
At the outset of his training the more esoteric aspects of Sufism are of less concern to the Seeker than the attainment of progress through implicit obedience to the formulae of the cult. The root of all such progress is dhikr. Having either been given a set dhikr to repeat (if he is under the direct guidance of a Sheikh), or having selected one himself (if he is an Uwaysi working towards the goal alone), his task is to repeat it with meticulous regard for the times and frequency of its saying.
If the formula is said under the breath (dhikr khafi), a rosary with ninety-nine beads is used, one bead being told after each repetition. In the case of the dhikr jali (' loud repetition ') the / Page 84 / the rosary is often not used."
"If the formula is said under the breath (dhikr khafi), a rosary with ninety-nine beads is used, one bead being told after each repetition.
Page 97
"Moslem tradition tells a curious tale of the Prophet Mohammed being bewitched by a Jewish sorcerer using this method.Nine knots were tied in a string, each knot' binding' a curse, and the thread was then hidden in a well. Only the archangel Gabriel's timely warning, we are informed, disclosed the hiding- place of the Death Spell. Such spells are countered by untying the knots, one by one: but in this case the chroniclers affirm that they unravelled themselves at the Prophet's command."
Nine knots were tied in a string,
A |
T |
U |
M |
- |
R |
A |
- |
A |
R |
- |
M |
U |
T |
A |
1 |
20 |
21 |
13 |
- |
18 |
1 |
- |
1 |
18 |
- |
13 |
21 |
20 |
1 |
1 |
2 |
3 |
4 |
- |
9 |
1 |
- |
1 |
9 |
- |
4 |
3 |
2 |
1 |
A |
T |
U |
M |
- |
R |
A |
- |
A |
R |
- |
M |
U |
T |
A |
1 |
- |
- |
- |
- |
- |
1 |
- |
1 |
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- |
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- |
- |
1 |
- |
2 |
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2 |
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3 |
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3 |
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4 |
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4 |
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9 |
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9 |
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A |
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U |
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R |
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A |
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- |
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- |
9 |
- |
- |
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9 |
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4 |
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4 |
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3 |
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3 |
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2 |
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2 |
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1 |
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1 |
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1 |
- |
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1 |
A |
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R |
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R |
M |
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T |
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1 |
20 |
21 |
13 |
18 |
1 |
- |
1 |
18 |
13 |
21 |
20 |
1 |
1 |
2 |
3 |
4 |
9 |
1 |
- |
1 |
9 |
4 |
3 |
2 |
1 |
A |
T |
U |
M |
R |
A |
- |
A |
R |
M |
U |
T |
A |
1 |
2 |
3 |
4 |
9 |
1 |
- |
1 |
9 |
4 |
3 |
2 |
1 |
A |
T |
U |
M |
R |
A |
- |
A |
R |
M |
U |
T |
A |
- |
- |
- |
4 |
- |
4 |
- |
- |
- |
- |
- |
3 |
- |
- |
- |
3 |
- |
- |
- |
2 |
- |
- |
- |
- |
- |
2 |
- |
1 |
- |
- |
- |
- |
- |
- |
- |
1 |
A |
T |
U |
M |
- |
M |
U |
T |
A |
1 |
20 |
21 |
13 |
- |
13 |
21 |
20 |
1 |
1 |
2 |
3 |
4 |
- |
4 |
3 |
2 |
1 |
A |
T |
U |
M |
- |
M |
U |
T |
A |
1 |
2 |
3 |
4 |
- |
4 |
3 |
2 |
1 |
A |
T |
U |
M |
- |
M |
U |
T |
A |
- |
- |
- |
4 |
4 |
- |
- |
- |
- |
- |
3 |
- |
- |
3 |
- |
- |
- |
2 |
- |
- |
- |
- |
2 |
- |
1 |
- |
- |
- |
- |
- |
- |
1 |
A |
T |
U |
M |
M |
U |
T |
A |
1 |
20 |
21 |
13 |
13 |
21 |
20 |
1 |
1 |
2 |
3 |
4 |
4 |
3 |
2 |
1 |
A |
T |
U |
M |
M |
U |
T |
A |
1 |
2 |
3 |
4 |
4 |
3 |
2 |
1 |
A |
T |
U |
M |
M |
U |
T |
A |
|
A |
T |
U |
M |
- |
R |
A |
|
|
|
|
|
|
|
- |
|
1 |
20 |
21 |
13 |
- |
18 |
1 |
|
|
|
|
= |
|
|
|
|
1 |
2 |
3 |
4 |
- |
9 |
1 |
|
|
|
|
= |
|
|
|
|
A |
T |
U |
M |
- |
R |
A |
|
|
|
|
|
|
|
- |
- |
1 |
- |
- |
- |
- |
- |
1 |
|
|
|
occurs |
x |
|
= |
2 |
- |
- |
2 |
- |
- |
- |
- |
- |
|
|
|
occurs |
x |
|
= |
2 |
- |
- |
- |
3 |
- |
- |
- |
- |
|
|
|
occurs |
x |
|
= |
3 |
- |
- |
- |
- |
4 |
- |
- |
- |
|
|
|
occurs |
x |
|
= |
4 |
- |
- |
- |
- |
- |
- |
9 |
- |
|
|
|
occurs |
x |
|
= |
9 |
|
A |
T |
U |
M |
- |
R |
A |
|
|
19 |
|
|
|
|
|
|
- |
- |
|
- |
- |
|
- |
|
|
10 |
- |
- |
- |
Q |
2+0 |
|
A |
T |
U |
M |
- |
R |
A |
|
|
1 |
|
|
|
|
|
- |
HEAVEN EARTH HELL |
- |
- |
Q |
4 |
HELL |
37 |
19 |
1 |
5 |
|
52 |
25 |
7 |
6 |
|
55 |
28 |
1 |
15 |
|
|
|
|
|
|
1+4+4 |
7+2 |
- |
6 |
Reduce to Deduce |
9 |
9 |
9 |
|
|
|
|
|
|
H+E+A |
14 |
14 |
|
|
V+E |
27 |
9 |
|
|
N+E+A |
20 |
11 |
|
|
R |
18 |
9 |
|
|
T+H+H |
36 |
18 |
|
|
E+L+L |
29 |
11 |
|
|
|
|
|
|
|
|
|
|
|
|
E+A |
6 |
6 |
|
|
R |
18 |
9 |
|
|
T+H+H |
36 |
18 |
|
|
E+A |
6 |
6 |
|
|
V+E |
27 |
9 |
|
|
N+H+E |
27 |
18 |
|
|
L+L |
24 |
6 |
|
|
|
|
|
|
6 |
HEAVEN |
55 |
28 |
1 |
3 |
|
52 |
25 |
7 |
4 |
|
37 |
19 |
1 |
9 |
|
|
|
|
|
|
1+4+4 |
7+2 |
- |
9 |
|
9 |
9 |
9 |
5 |
DEVIL |
52 |
25 |
7 |
3 |
|
26 |
17 |
8 |
8 |
|
|
|
|
|
|
7+8 |
4+2 |
1+5 |
8 |
|
15 |
6 |
6 |
- |
- |
|
- |
- |
8 |
|
|
|
|
3 |
GOD |
26 |
17 |
8 |
5 |
|
55 |
10 |
1 |
8 |
|
|
|
|
|
|
8+1 |
2+7 |
- |
8 |
|
9 |
9 |
9 |
3 |
|
26 |
17 |
8 |
6 |
HEAVEN |
55 |
28 |
1 |
9 |
|
|
|
|
|
|
8+1 |
4+5 |
- |
9 |
|
9 |
9 |
9 |
3 |
GOD |
26 |
17 |
8 |
4 |
|
37 |
19 |
1 |
7 |
|
|
|
|
|
|
6+3 |
3+6 |
- |
7 |
|
9 |
9 |
9 |
4 |
|
37 |
19 |
1 |
6 |
|
55 |
28 |
1 |
10 |
|
|
|
|
1+0 |
|
9+2 |
4+7 |
- |
1 |
|
11 |
8 |
8 |
|
|
1+1 |
4+7 |
- |
1 |
|
2 |
8 |
8 |
5 |
DEVIL |
52 |
25 |
7 |
6 |
|
55 |
28 |
1 |
11 |
|
|
|
|
1+1 |
|
1+0+7 |
5+3 |
- |
2 |
|
8 |
8 |
8 |
5 |
DEVIL |
52 |
25 |
7 |
4 |
|
37 |
19 |
1 |
9 |
|
|
|
|
|
|
8+9 |
4+4 |
- |
9 |
|
17 |
8 |
8 |
- |
- |
|
- |
- |
9 |
|
|
|
|
5 |
DEVIL |
52 |
25 |
7 |
5 |
|
52 |
25 |
7 |
16 |
EXTRATERRESTRIAL |
- |
- |
- |
- |
E+X+T |
49 |
13 |
4 |
- |
R |
18 |
9 |
9 |
- |
A+T+E |
26 |
8 |
8 |
- |
R |
18 |
9 |
9 |
- |
R |
18 |
9 |
9 |
- |
E+S+T |
44 |
17 |
8 |
- |
R |
18 |
9 |
9 |
- |
I |
9 |
9 |
9 |
- |
A+L |
13 |
4 |
4 |
16 |
EXTRATERRESTRIAL |
213 |
87 |
69 |
1+6 |
- |
2+1+3 |
8+7 |
6+9 |
7 |
|
6 |
15 |
15 |
- |
- |
- |
1+5 |
1+5 |
7 |
|
6 |
6 |
6 |
|
|
|
|
16 |
EXTRATERRESTRIAL |
- |
- |
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
- |
E |
5 |
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
- |
X |
24 |
6 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
- |
T |
20 |
2 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
- |
R |
18 |
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
- |
|
1 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
- |
T |
20 |
2 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
7 |
- |
E |
5 |
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
8 |
- |
R |
18 |
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
9 |
- |
R |
18 |
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
10 |
- |
E |
5 |
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
11 |
- |
|
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
12 |
- |
T |
20 |
2 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
13 |
- |
R |
18 |
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
14 |
- |
I |
9 |
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
15 |
- |
|
1 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
16 |
- |
L |
12 |
3 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
213 |
87 |
69 |
|
|
|
|
|
|
|
|
|
|
|
|
6+9 |
|
1+6 |
|
2+1+3 |
8+7 |
6+9 |
|
|
|
|
|
1+5 |
|
|
|
5+4 |
|
|
|
|
|
|
6 |
15 |
15 |
|
|
|
|
|
|
|
|
|
|
|
|
1+5 |
|
|
|
- |
1+5 |
1+5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
6 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
16 |
EXTRATERRESTRIAL |
- |
- |
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
- |
E |
5 |
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
- |
X |
24 |
6 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
- |
T |
20 |
2 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
- |
R |
18 |
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
- |
|
1 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
- |
T |
20 |
2 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
7 |
- |
E |
5 |
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
8 |
- |
R |
18 |
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
9 |
- |
R |
18 |
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
10 |
- |
E |
5 |
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
11 |
- |
|
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
12 |
- |
T |
20 |
2 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
13 |
- |
R |
18 |
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
14 |
- |
I |
9 |
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
15 |
- |
|
1 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
16 |
- |
L |
12 |
3 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
213 |
87 |
69 |
|
|
|
|
|
|
|
|
|
|
|
|
6+9 |
|
1+6 |
|
2+1+3 |
8+7 |
6+9 |
|
|
|
|
|
1+5 |
|
|
|
5+4 |
|
|
|
|
|
|
6 |
15 |
15 |
|
|
|
|
|
|
|
|
|
|
|
|
1+5 |
|
|
|
- |
1+5 |
1+5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
6 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
16 |
EXTRATERRESTRIAL |
- |
- |
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
- |
|
1 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
15 |
- |
|
1 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
11 |
- |
|
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
- |
T |
20 |
2 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
- |
T |
20 |
2 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
12 |
- |
T |
20 |
2 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
16 |
- |
L |
12 |
3 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
- |
E |
5 |
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
7 |
- |
E |
5 |
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
10 |
- |
E |
5 |
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
- |
X |
24 |
6 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
- |
R |
18 |
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
8 |
- |
R |
18 |
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
9 |
- |
R |
18 |
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
13 |
- |
R |
18 |
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
14 |
- |
I |
9 |
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
213 |
87 |
69 |
|
|
|
|
|
|
|
|
|
|
|
|
6+9 |
|
1+6 |
|
2+1+3 |
8+7 |
6+9 |
|
|
|
|
|
1+5 |
|
|
|
5+4 |
|
|
|
|
|
|
6 |
15 |
15 |
|
|
|
|
|
|
|
|
|
|
|
|
1+5 |
|
|
|
- |
1+5 |
1+5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
6 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
16 |
EXTRATERRESTRIAL |
- |
- |
- |
|
|
|
|
|
|
|
|
|
|
5 |
- |
|
1 |
1 |
|
|
|
|
|
|
|
|
|
|
|
15 |
- |
|
1 |
1 |
|
|
|
|
|
|
|
|
|
|
|
11 |
- |
|
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
3 |
- |
T |
20 |
2 |
2 |
|
|
|
|
|
|
|
|
|
|
6 |
- |
T |
20 |
2 |
2 |
|
|
|
|
|
|
|
|
|
|
12 |
- |
T |
20 |
2 |
2 |
|
|
|
|
|
|
|
|
|
|
16 |
- |
L |
12 |
3 |
3 |
|
|
|
|
|
|
|
|
|
|
1 |
- |
E |
5 |
5 |
5 |
|
|
|
|
|
|
|
|
|
|
7 |
- |
E |
5 |
5 |
5 |
|
|
|
|
|
|
|
|
|
|
10 |
- |
E |
5 |
5 |
5 |
|
|
|
|
|
|
|
|
|
|
2 |
- |
X |
24 |
6 |
6 |
|
|
|
|
|
|
|
|
|
|
4 |
- |
R |
18 |
9 |
9 |
|
|
|
|
|
|
|
|
|
|
8 |
- |
R |
18 |
9 |
9 |
|
|
|
|
|
|
|
|
|
|
9 |
- |
R |
18 |
9 |
9 |
|
|
|
|
|
|
|
|
|
|
13 |
- |
R |
18 |
9 |
9 |
|
|
|
|
|
|
|
|
|
|
14 |
- |
I |
9 |
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
213 |
87 |
69 |
|
|
|
|
|
|
|
|
|
6+9 |
|
1+6 |
|
2+1+3 |
8+7 |
6+9 |
|
|
|
|
1+5 |
|
5+4 |
|
|
|
|
|
|
6 |
15 |
15 |
|
|
|
|
|
|
|
|
|
1+5 |
|
|
|
- |
1+5 |
1+5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
6 |
6 |
|
|
|
|
|
|
|
- |
THE UNKNOWN GOD |
- |
- |
- |
3 |
|
33 |
15 |
|
7 |
|
112 |
31 |
|
3 |
|
26 |
17 |
|
|
THE UNKNOWN GOD |
|
|
|
|
- |
1+7+1 |
6+3 |
|
|
THE UNKNOWN GOD |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
3 |
|
25 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
3 |
|
33 |
15 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
5 |
|
77 |
23 |
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
4 |
5 |
|
52 |
25 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
2 |
|
21 |
12 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
3 |
|
26 |
17 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
First Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2+3 |
|
2+1 |
Add to Reduce |
2+3+4 |
9+9 |
3+6 |
|
|
|
|
|
|
|
1+4 |
|
|
|
|
|
|
|
Second Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Reduce to Deduce |
|
1+8 |
|
|
|
|
|
|
|
|
1+4 |
|
|
|
|
|
|
|
Essence of Number |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
3 |
|
25 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
3 |
|
33 |
15 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
5 |
|
77 |
23 |
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
4 |
5 |
|
52 |
25 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
2 |
|
21 |
12 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
3 |
|
26 |
17 |
|
|
|
|
|
|
|
|
|
|
|
|
|
23 |
|
21 |
|
234 |
99 |
36 |
|
|
|
|
|
|
|
|
|
|
|
|
2+3 |
|
2+1 |
|
2+3+4 |
9+9 |
3+6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
7 |
|
3 |
|
25 |
7 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
15 |
|
3 |
|
33 |
15 |
15 |
|
|
|
|
|
|
|
|
|
|
|
|
|
7 |
1 |
|
11 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
8 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
9 |
1 |
|
15 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
10 |
1 |
|
23 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
11 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
23 |
|
5 |
|
77 |
23 |
23 |
|
|
|
|
|
|
|
|
|
|
|
|
|
12 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
13 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
14 |
1 |
|
13 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
15 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
16 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
16 |
|
5 |
|
52 |
25 |
16 |
|
|
|
|
|
|
|
|
|
|
|
|
|
17 |
1 |
|
15 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
18 |
1 |
|
6 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
12 |
|
2 |
|
21 |
12 |
12 |
|
|
|
|
|
|
|
|
|
|
|
|
|
19 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
20 |
1 |
|
15 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
21 |
1 |
|
4 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
17 |
|
3 |
|
26 |
17 |
17 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3+0 |
2+4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
|
25 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
|
33 |
15 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
|
77 |
23 |
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
|
5 |
|
52 |
25 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
|
21 |
12 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
|
26 |
17 |
|
|
|
|
|
|
|
|
|
|
|
|
|
23 |
|
|
First Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2+3 |
|
2+1 |
Add to Reduce |
2+3+4 |
9+9 |
3+6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Second Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Reduce to Deduce |
|
1+8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Essence of Number |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
3 |
|
25 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
3 |
|
33 |
15 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
5 |
|
77 |
23 |
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
4 |
5 |
|
52 |
25 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
2 |
|
21 |
12 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
3 |
|
26 |
17 |
|
|
|
|
|
|
|
|
|
|
|
|
|
23 |
|
21 |
|
234 |
99 |
36 |
|
|
|
|
|
|
|
|
|
|
|
|
2+3 |
|
2+1 |
|
2+3+4 |
9+9 |
3+6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
7 |
1 |
|
11 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
8 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
9 |
1 |
|
15 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
10 |
1 |
|
23 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
11 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
12 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
13 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
14 |
1 |
|
4 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
15 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
16 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
17 |
1 |
|
15 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
18 |
1 |
|
6 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
19 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
20 |
1 |
|
15 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
21 |
1 |
|
4 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
90 |
|
21 |
|
234 |
99 |
90 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3+0 |
2+4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
|
25 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
|
33 |
15 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
|
77 |
23 |
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
|
5 |
|
52 |
25 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
|
21 |
12 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
|
26 |
17 |
|
|
|
|
|
|
|
|
|
|
|
|
|
23 |
|
|
First Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2+3 |
|
2+1 |
Add to Reduce |
2+3+4 |
9+9 |
3+6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Second Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Reduce to Deduce |
|
1+8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Essence of Number |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
3 |
|
25 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
3 |
|
33 |
15 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
5 |
|
77 |
23 |
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
4 |
5 |
|
52 |
25 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
2 |
|
21 |
12 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
3 |
|
26 |
17 |
|
|
|
|
|
|
|
|
|
|
|
|
|
23 |
|
21 |
|
234 |
99 |
36 |
|
|
|
|
|
|
|
|
|
|
|
|
2+3 |
|
2+1 |
|
2+3+4 |
9+9 |
3+6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
13 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
16 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
7 |
1 |
|
11 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
14 |
1 |
|
4 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
21 |
1 |
|
4 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
8 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
10 |
1 |
|
23 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
11 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
12 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
15 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
9 |
1 |
|
15 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
17 |
1 |
|
15 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
18 |
1 |
|
6 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
20 |
1 |
|
15 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
19 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
90 |
|
21 |
|
234 |
99 |
90 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3+0 |
2+4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
|
25 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
|
33 |
15 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
|
77 |
23 |
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
|
5 |
|
52 |
25 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
|
21 |
12 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
|
26 |
17 |
|
|
|
|
|
|
|
|
|
|
|
|
|
23 |
|
|
First Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2+3 |
|
2+1 |
Add to Reduce |
2+3+4 |
9+9 |
3+6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Second Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Reduce to Deduce |
|
1+8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Essence of Number |
|
|
|
|
|
|
|
|
|
|
|
|
|
chestofbooks.com/reference/Bepler-Handy-Manual-Of-Knowledge/The-Name-Of-God-In-Different-Languages.
The Name Of God In Different Languages
Language Name of God
AEolian.....................Ilos
Arabic....................Allah
Armorian.................Teuti
Assyrian.................. Eleah
Celtic......................Diu
Chaldaic............. Eilah
Cretan...................Thios
Chinese..................Prussa
Coromandel..............Brama
Danish.....................Gut
Dutch.....................Godt
Egyptian (old).............Teut
Egyptian (modern).........Teun
English....................God
Finch...................Jumala
Flemish...................Goed
French.....................Dieu
German....................Gott
German (old)...............Diet
Greek...................Theos
Gallic.......................Diu
Hebrew...........Elohim, Eloha
Hindoostanee..............Rain
Japanese................Goezur
Irish........................Dia
Italian......................Dio
Language Name of God
Madagascar..... .......Zannar
Malay.....................Alla
Norwegian.................Gud
Latin.....................Deus
Low Latin.................Diex
Low Breton................Done
Lapp ...................Jubinal
Olalu Tongue..............Deu
Old Saxon..................God
Peruvian..........Puchecammae
Persian....................Sire
Pannonian..................Istu
Polish.....................Bog
Pollacca.................Bung
Portuguese................Debs
Provencal.................Diou
Runic... ...................As
Russian...................Bojh
Spanish...................Dios
Swedish...................Gut
Slav....................Buch
Swiss......................Gott
Syriac....................Allah
Tartar................Magatal
Turkish..................Allah
Zemblain................Fetizo
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
3 |
|
33 |
15 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
1 |
|
1 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
2 |
|
35 |
8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
2 |
|
21 |
12 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
4 |
|
45 |
18 |
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
7 |
5 |
|
52 |
25 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
8 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
9 |
7 |
|
92 |
38 |
|
|
|
|
|
|
|
|
|
|
|
|
|
37 |
|
|
First Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3+7 |
|
2+8 |
Add to Reduce |
2+3+4 |
1+3+5 |
4+5 |
|
|
|
|
|
|
|
|
1+6 |
|
|
|
|
|
|
Second Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+0 |
|
1+0 |
Reduce to Deduce |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Essence of Number |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
1 |
|
1 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
8 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
9 |
7 |
|
92 |
38 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
2 |
|
21 |
12 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
3 |
|
33 |
15 |
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
7 |
5 |
|
52 |
25 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
2 |
|
35 |
8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
4 |
|
45 |
18 |
|
|
|
|
|
|
|
|
|
|
|
|
|
37 |
|
|
First Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3+7 |
|
2+8 |
Add to Reduce |
2+3+4 |
1+3+5 |
4+5 |
|
|
|
|
|
|
|
|
1+6 |
|
|
|
|
|
|
Second Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+0 |
|
1+0 |
Reduce to Deduce |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Essence of Number |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
1 |
|
1 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
8 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
9 |
7 |
|
92 |
38 |
|
|
|
|
|
|
|
|
|
|
|
|
5 |
2 |
|
21 |
12 |
|
|
|
|
|
|
|
|
|
|
|
|
1 |
3 |
|
33 |
15 |
|
|
|
|
|
|
|
|
|
|
|
5 |
7 |
5 |
|
52 |
25 |
|
|
|
|
|
|
|
|
|
|
|
|
3 |
2 |
|
35 |
8 |
|
|
|
|
|
|
|
|
|
|
|
|
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
4 |
|
45 |
18 |
|
|
|
|
|
|
|
|
|
|
|
37 |
|
|
First Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
3+7 |
|
2+8 |
Add to Reduce |
2+3+4 |
1+3+5 |
4+5 |
|
|
|
|
|
|
1+6 |
|
|
|
|
|
|
Second Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
1+0 |
|
1+0 |
Reduce to Deduce |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Essence of Number |
|
|
|
|
|
|
|
|
|
|
|
NAME OF GOD IS GOD OF NAME
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
7 |
4 |
|
33 |
15 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
2 |
|
21 |
12 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
3 |
|
26 |
17 |
|
|
|
|
|
|
|
|
|
|
|
|
|
9 |
7 |
2 |
|
28 |
19 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
9 |
7 |
2 |
|
28 |
19 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
3 |
|
26 |
17 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
2 |
|
21 |
12 |
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
7 |
4 |
|
33 |
15 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
54 |
|
|
First Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5+4 |
|
2+2 |
Add to Reduce |
2+1+6 |
1+2+6 |
3+6 |
|
|
|
|
|
|
1+2 |
|
1+6 |
|
|
|
|
|
|
Second Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+0 |
Reduce to Deduce |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Essence of Number |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
7 |
4 |
|
33 |
15 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
2 |
|
21 |
12 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
3 |
|
26 |
17 |
|
|
|
|
|
|
|
|
|
|
|
|
|
9 |
7 |
2 |
|
28 |
19 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
9 |
7 |
2 |
|
28 |
19 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
3 |
|
26 |
17 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
2 |
|
21 |
12 |
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
7 |
4 |
|
33 |
15 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
54 |
|
|
First Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5+4 |
|
2+2 |
Add to Reduce |
2+1+6 |
1+2+6 |
3+6 |
|
|
|
|
|
|
1+2 |
|
1+6 |
|
|
|
|
|
|
Second Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+0 |
Reduce to Deduce |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Essence of Number |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
7 |
4 |
|
33 |
15 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
2 |
|
21 |
12 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
3 |
|
26 |
17 |
|
|
|
|
|
|
|
|
|
|
|
|
|
9 |
7 |
2 |
|
28 |
19 |
|
|
|
|
|
|
|
|
|
|
|
|
|
9 |
7 |
2 |
|
28 |
19 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
3 |
|
26 |
17 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
2 |
|
21 |
12 |
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
7 |
4 |
|
33 |
15 |
|
|
|
|
|
|
|
|
|
|
|
|
|
54 |
|
|
First Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5+4 |
|
2+2 |
Add to Reduce |
2+1+6 |
1+2+6 |
3+6 |
|
|
|
|
|
|
1+2 |
|
1+6 |
|
|
|
|
|
|
Second Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+0 |
Reduce to Deduce |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Essence of Number |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
9 |
7 |
2 |
|
28 |
19 |
|
|
|
|
|
|
|
|
|
|
|
|
|
9 |
7 |
2 |
|
28 |
19 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
2 |
|
21 |
12 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
2 |
|
21 |
12 |
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
7 |
4 |
|
33 |
15 |
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
7 |
4 |
|
33 |
15 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
3 |
|
26 |
17 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
3 |
|
26 |
17 |
|
|
|
|
|
|
|
|
|
|
|
|
|
54 |
|
|
First Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5+4 |
|
2+2 |
Add to Reduce |
2+1+6 |
1+2+6 |
3+6 |
|
|
|
|
|
|
1+2 |
|
1+6 |
|
|
|
|
|
|
Second Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+0 |
Reduce to Deduce |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Essence of Number |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
9 |
7 |
2 |
|
28 |
19 |
|
|
|
|
|
|
|
|
9 |
7 |
2 |
|
28 |
19 |
|
|
|
|
|
|
|
|
|
5 |
2 |
|
21 |
12 |
|
|
|
|
|
|
|
|
|
5 |
2 |
|
21 |
12 |
|
|
|
|
|
|
|
|
5 |
7 |
4 |
|
33 |
15 |
|
|
|
|
|
|
|
|
5 |
7 |
4 |
|
33 |
15 |
|
|
|
|
|
|
|
|
|
1 |
3 |
|
26 |
17 |
|
|
|
|
|
|
|
|
|
1 |
3 |
|
26 |
17 |
|
|
|
|
|
|
|
|
54 |
|
|
First Total |
|
|
|
|
|
|
|
|
|
|
5+4 |
|
2+2 |
Add to Reduce |
2+1+6 |
1+2+6 |
3+6 |
|
|
|
1+2 |
1+6 |
|
|
|
|
|
Second Total |
|
|
|
|
|
|
|
|
|
|
|
|
1+0 |
Reduce to Deduce |
|
|
|
|
|
|
|
|
|
|
|
|
|
Essence of Number |
|
|
|
|
|
|
|
|
|
|
9 |
7 |
2 |
|
28 |
19 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
3 |
|
26 |
17 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
2 |
|
21 |
12 |
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
7 |
4 |
|
33 |
15 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
27 |
|
|
First Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2+7 |
|
1+1 |
Add to Reduce |
1+0+8 |
6+3 |
3+6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Second Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Reduce to Deduce |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Essence of Number |
|
|
|
|
|
|
|
|
|
|
|
|
|
C |
= |
3 |
- |
8 |
CREATORS |
99 |
36 |
9 |
R |
= |
9 |
- |
8 |
REACTORS |
99 |
36 |
9 |
- |
- |
|
- |
16 |
First Total |
|
|
|
- |
- |
1+2 |
- |
1+6 |
Add to Reduce |
1+9+8 |
7+2 |
1+8 |
- |
- |
|
- |
7 |
Second Total |
|
|
|
- |
- |
|
|
|
Reduce to Deduce |
1+8 |
- |
- |
- |
- |
|
- |
7 |
Essence of Number |
|
|
|
THE LIGHT IS RISING NOW RISING IS THE LIGHT
....
|
|
9 |
7 |
2 |
|
28 |
19 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
3 |
|
26 |
17 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
2 |
|
21 |
12 |
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
7 |
4 |
|
33 |
15 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
27 |
|
|
First Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2+7 |
|
1+1 |
Add to Reduce |
1+0+8 |
6+3 |
3+6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Second Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Reduce to Deduce |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Essence of Number |
|
|
|
|
|
|
|
|
|
|
|
|
|
Fait Accompli - Wikipedia
Fait accompli, a French phrase commonly used to describe an action which is completed before those affected by it are in a position to query or reverse it;
Mnemonic Dictionary.com - Meaning of fait accompli and a memory aid (called Mnemonic) to retain that meaning for long time in our memory.
fait accompli
fait accompli - Dictionary definition and meaning for word fait accompli
Definition
(noun) an irreversible accomplishment
Fait accompli
Meaning
An accomplished fact; an action which is completed before those affected by it are in a position to query or reverse it.
Origin
The literal translation into English of this French phrase is a fact realized or accomplished - what might these days be called a done deal. Strangely, it entered the English language via a travelogue of Spain rather than France. Richard Ford's A hand-book for travellers in Spain, 1845, was and still is, regarded as a classic of travel writing. In it Ford included the phrase "This is now a fait accompli.", in regard of some previously decided fact.
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
|
36 |
18 |
|
|
|
|
|
8 |
|
72 |
36 |
|
|
|
7 |
|
|
|
|
|
|
|
|
|
|
1+2 |
|
1+0+8 |
5+4 |
1+8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
OF TIME AND STARS
Arthur C. Clarke 1972
The Sentinel
`I can never look at the Milky Way without wondering from which of those banked clouds
of stars the emissaries are coming, If you will pardon so commonplace a simile, we have set
off the fire alarm and have nothing to do but wait`.
I do not think we will have to wait for long.
Arthur C. Clarke 1972 Of Time And Stars
If I forget thee, Oh Earth.
`He stared into the west, away from the blinding splendour of the sun-and there were the stars, as
he had been told but never quite believed. He gazed at them for a long time marvelling that
anything could be so bright and yet so tiny. They were intense unscintillating points, and suddenly
he remembered a rhyme he had once read in one of his father`s books.
Twinkle, Twinkle, little star
How I wonder what you are`
The Nine Billion Names of God
Arthur C. Clarke 1953
“This is a slightly unusual request,” said Dr. Wagner, with what he hoped was commendable restraint. “As far as I know, it’s the first time anyone’s been asked to supply a Tibetan monastery with an Automatic Sequence Computer. I don’t wish to be inquisitive, but I should hardly have thought that your — ah — establishment had much use for such a machine. Could you explain just what you intend to do with it?”
“Gladly,” replied the lama, readjusting his silk robes and carefully putting away the slide rule he had been using for currency conversions. “Your Mark V Computer can carry out any routine mathematical operation involving up to ten digits. However, for our work we are interested in letters, not numbers. As we wish you to modify the output circuits, the machine will be printing words, not columns of figures.”
“I don’t quite understand....”
“This is a project on which we have been working for the last three centuries — since the lamasery was founded, in fact. It is somewhat alien to your way of thought, so I hope you will listen with an open mind while I explain it.”
“Naturally.”
“It is really quite simple. We have been compiling a list which shall contain all the possible names of God.”
“I beg your pardon?”
“We have reason to believe,” continued the lama imperturbably, “that all such names can be written with not more than nine letters in an alphabet we have devised.”
“And you have been doing this for three centuries?”
“Yes: we expected it would take us about fifteen thousand years to complete the task.”
“Oh,” Dr. Wagner looked a little dazed. “Now I see why you wanted to hire one of our machines. But exactly what is the purpose of this project?”
The lama hesitated for a fraction of a second, and Wagner wondered if he had offended him. If so, there was no trace of annoyance in the reply.
“Call it ritual, if you like, but it’s a fundamental part of our belief. All the many names of the Supreme Being — God, Jehovah, Allah, and so on — they are only man-made labels. There is a philosophical problem of some difficulty here, which I do not propose to discuss, but somewhere among all the possible combinations of letters that can occur are what one may call the real names of God. By systematic permutation of letters, we have been trying to list them all.”
“I see. You’ve been starting at AAAAAAA... and working up to ZZZZZZZZ....”
“Exactly — though we use a special alphabet of our own. Modifying the electromatic typewriters to deal with this is, of course, trivial. A rather more interesting problem is that of devising suitable circuits to eliminate ridiculous combinations. For example, no letter must occur more than three times in succession.”
“Three? Surely you mean two.”
“Three is correct: I am afraid it would take too long to explain why, even if you understood our language.”
“I’m sure it would,” said Wagner hastily. “Go on.”
“Luckily, it will be a simple matter to adapt your Automatic Sequence Computer for this work, since once it has been programmed properly it will permute each letter in turn and print the result. What would have taken us fifteen thousand years it will be able to do in a hundred days.”
Dr. Wagner was scarcely conscious of the faint sounds from the Manhattan streets far below. He was in a different world, a world of natural, not man-made, mountains. High up in their remote aeries these monks had been patiently at work, generation after generation, compiling their lists of meaningless words. Was there any limit to the follies of mankind? Still, he must give no hint of his inner thoughts. The customer was always right....
“There’s no doubt,” replied the doctor, “that we can modify the Mark V to print lists of this nature. I’m much more worried about the problem of installation and maintenance. Getting out to Tibet, in these days, is not going to be easy.”
“We can arrange that. The components are small enough to travel by air — that is one reason why we chose your machine. If you can get them to India, we will provide transport from there.”
“And you want to hire two of our engineers?”
“Yes, for the three months that the project should occupy.”
“I’ve no doubt that Personnel can manage that.” Dr. Wagner scribbled a note on his desk pad. “There are just two other points —”
Before he could finish the sentence the lama had produced a small slip of paper.
“This is my certified credit balance at the Asiatic Bank.”
“Thank you. It appears to be — ah — adequate. The second matter is so trivial that I hesitate to mention it — but it’s surprising how often the obvious gets overlooked. What source of electrical energy have you?”
“A diesel generator providing fifty kilowatts at a hundred and ten volts. It was installed about five years ago and is quite reliable. It’s made life at the lamasery much more comfortable, but of course it was really installed to provide power for the motors driving the prayer wheels.”
“Of course,” echoed Dr. Wagner. “I should have thought of that.”
The view from the parapet was vertiginous, but in time one gets used to anything. After three months, George Hanley was not impressed by the two-thousand-foot swoop into the abyss or the remote checkerboard of fields in the valley below. He was leaning against the wind-smoothed stones and staring morosely at the distant mountains whose names he had never bothered to discover.
This, thought George, was the craziest thing that had ever happened to him. “Project Shangri-La,” some wit back at the labs had christened it. For weeks now the Mark V had been churning out acres of sheets covered with gibberish. Patiently, inexorably, the computer had been rearranging letters in all their possible combinations, exhausting each class before going on to the next. As the sheets had emerged from the electromatic typewriters, the monks had carefully cut them up and pasted them into enormous books.
In another week, heaven be praised, they would have finished. Just what obscure calculations had convinced the monks that they needn’t bother to go on to words of ten, twenty, or a hundred letters, George didn’t know. One of his recurring nightmares was that there would be some change of plan, and that the high lama (whom they’d naturally called Sam Jaffe, though he didn’t look a bit like him) would suddenly announce that the project would be extended to approximately A.D. 2060. They were quite capable of it.
George heard the heavy wooden door slam in the wind as Chuck came out onto the parapet beside him. As usual, Chuck was smoking one of the cigars that made him so popular with the monks — who, it seemed, were quite willing to embrace all the minor and most of the major pleasures of life. That was one thing in their favor: they might be crazy, but they weren’t bluenoses. Those frequent trips they took down to the village, for instance...
“Listen, George,” said Chuck urgently. “I’ve learned something that means trouble.”
“What’s wrong? Isn’t the machine behaving?” That was the worst contingency George could imagine. It might delay his return, and nothing could be more horrible. The way he felt now, even the sight of a TV commercial would seem like manna from heaven. At least it would be some link with home.
“No — it’s nothing like that.” Chuck settled himself on the parapet, which was unusual because normally he was scared of the drop. “I’ve just found what all this is about.”
What d’ya mean? I thought we knew.”
“Sure — we know what the monks are trying to do. But we didn’t know why. It’s the craziest thing—”
“Tell me something new,” growled George.
“— but old Sam’s just come clean with me. You know the way he drops in every afternoon to watch the sheets roll out. Well, this time he seemed rather excited, or at least as near as he’ll ever get to it. When I told him that we were on the last cycle he asked me, in that cute English accent of his, if I’d ever wondered what they were trying to do. I said, ‘Sure’ — and he told me.”
“Go on: I’ll buy it.”
“Well, they believe that when they have listed all His names — and they reckon that there are about nine billion of them — God’s purpose will be achieved. The human race will have finished what it was created to do, and there won’t be any point in carrying on. Indeed, the very idea is something like blasphemy.”
“Then what do they expect us to do? Commit suicide?”
“There’s no need for that. When the list’s completed, God steps in and simply winds things up... bingo!”
“Oh, I get it. When we finish our job, it will be the end of the world.”
Chuck gave a nervous little laugh.
“That’s just what I said to Sam. And do you know what happened? He looked at me in a very queer way, like I’d been stupid in class, and said, ’It’s nothing as trivial as that.’ ”
George thought this over a moment.
“That’s what I call taking the Wide View,” he said presently. “But what d’you suppose we should do about it? I don’t see that it makes the slightest difference to us. After all, we already knew that they were crazy.”
“Yes — but don’t you see what may happen? When the list’s complete and the Last Trump doesn’t blow — or whatever it is they expect — we may get the blame. It’s our machine they’ve been using. I don’t like the situation one little bit.”
“I see,” said George slowly. “You’ve got a point there. But this sort of thing’s happened before, you know. When I was a kid down in Louisiana we had a crackpot preacher who once said the world was going to end next Sunday. Hundreds of people believed him — even sold their homes. Yet when nothing happened, they didn’t turn nasty, as you’d expect. They just decided that he’d made a mistake in his calculations and went right on believing. I guess some of them still do.”
“Well, this isn’t Louisiana, in case you hadn’t noticed. There are just two of us and hundreds of these monks. I like them, and I’ll be sorry for old Sam when his lifework backfires on him. But all the same, I wish I was somewhere else.”
“I’ve been wishing that for weeks. But there’s nothing we can do until the contract’s finished and the transport arrives to fly us out.
“Of course,” said Chuck thoughtfully, “we could always try a bit of sabotage.”
“Like hell we could! That would make things worse.”
“Not the way I meant. Look at it like this. The machine will finish its run four days from now, on the present twenty-hours-a-day basis. The transport calls in a week. O.K. — then all we need to do is to find something that needs replacing during one of the overhaul periods — something that will hold up the works for a couple of days. We’ll fix it, of course, but not too quickly. If we time matters properly, we can be down at the airfield when the last name pops out of the register. They won’t be able to catch us then.”
“I don’t like it,” said George. “It will be the first time I ever walked out on a job. Besides, it ’would make them suspicious. No, I’ll sit tight and take what comes.”
"I still don’t like it,” he said, seven days later, as the tough little mountain ponies carried them down the winding road. “And don’t you think I’m running away because I’m afraid. I’m just sorry for those poor old guys up there, and I don’t want to be around when they find what suckers they’ve been. Wonder how Sam will take it?” “It’s funny,” replied Chuck, “but when I said good-by I got the idea he knew we were walking out on him — and that he didn’t care because he knew the machine was running smoothly and that the job would soon be finished. After that — well, of course, for him there just isn’t any After That....”
George turned in his saddle and stared back up the mountain road. This was the last place from which one could get a clear view of the lamasery. The squat, angular buildings were silhouetted against the afterglow of the sunset: here and there, lights gleamed like portholes in the side of an ocean liner. Electric lights, of course, sharing the same circuit as the Mark V. How much longer would they share it? wondered George. Would the monks smash up the computer in their rage and disappointment? Or would they just sit down quietly and begin their calculations all over again?”
He knew exactly what was happening up on the mountain at this very moment. The high lama and his assistants would be sitting in their silk robes, inspecting the sheets as the junior monks carried them away from the typewriters and pasted them into the great volumes. No one would be saying anything. The only sound would be the incessant patter, the never-ending rainstorm of the keys hitting the paper, for the Mark V itself was utterly silent as it flashed through its thousands of calculations a second. Three months of this, thought George, was enough to start anyone climbing up the wall.
“There she is!” called Chuck, pointing down into the valley. “Ain’t she beautiful!”
She certainly was, thought George. The battered old DC3 lay at the end of the runway like a tiny silver cross. In two hours she would be bearing them away to freedom and sanity. It was a thought worth savoring like a fine liqueur. George let it roll round his mind as the pony trudged patiently down the slope.
The swift night of the high Himalayas was now almost upon them. Fortunately, the road was very good, as roads went in that region, and they were both carrying torches. There was not the slightest danger, only a certain discomfort from the bitter cold. The sky overhead was perfectly clear, and ablaze with the familiar, friendly stars. At least there would be no risk, thought George, of the pilot being unable to take off because of weather conditions. That had been his only remaining worry.
He began to sing, but gave it up after a while. This vast arena of mountains, gleaming like whitely hooded ghosts on every side, did not encourage such ebullience. Presently George glanced at his watch.
“Should be there in an hour,” he called back over his shoulder to Chuck. Then he added, in an afterthought: “Wonder if the computer’s finished its run. It was due about now.”
Chuck didn’t reply, so George swung round in his saddle. He could just see Chuck’s face, a white oval turned toward the sky.
“Look,” whispered Chuck, and George lifted his eyes to heaven. (There is always a last time for everything.)
Overhead, without any fuss, the stars were going out.
|
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|
|
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|
|
|
|
|
|
|
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|
|
|
|
|
1 |
8 |
|
78 |
42 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
7 |
|
116 |
35 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
3 |
|
40 |
13 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
4 |
|
65 |
29 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
3 |
|
33 |
15 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
5 |
|
77 |
32 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
7 |
4 |
|
51 |
24 |
|
|
|
|
|
|
|
|
|
|
|
|
|
7 |
8 |
5 |
|
52 |
34 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
9 |
3 |
|
56 |
11 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
First Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3+9 |
|
4+2 |
Add to Reduce |
5+6+8 |
2+3+5 |
4+6 |
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|
|
|
|
|
1+8 |
|
|
|
|
|
|
|
|
Second Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+2 |
|
|
Reduce to Deduce |
1+9 |
1+0 |
1+2 |
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|
|
|
|
|
|
|
|
|
|
|
|
Third Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+2 |
|
|
Reduce to Deduce |
1+0 |
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|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Essence of Number |
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|
(There is always a last time for everything.)
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|
|
|
|
1 |
5 |
|
56 |
29 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
2 |
|
28 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
6 |
|
81 |
27 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
1 |
|
1 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
4 |
|
52 |
16 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
4 |
|
47 |
20 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
7 |
3 |
|
25 |
16 |
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
8 |
10 |
|
133 |
61 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
First Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2+9 |
|
3+5 |
Add to Reduce |
4+2+3 |
1+8+0 |
3+6 |
|
|
|
|
|
|
|
2+1 |
|
|
|
|
|
|
|
Second Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+1 |
|
|
Reduce to Deduce |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Essence of Number |
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|
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|
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|
THE STAIRWAY TO HEAVEN
BOOK
II
THE EARTH CHRONICLES
Zecharia Sitchin 1980
Page 275
"solar disk"
".........represented by the symbol for the Solar Disk........."
- |
- |
- |
- |
- |
SOLAR DISK |
- |
- |
- |
S |
= |
1 |
- |
5 |
SOLAR |
65 |
20 |
2 |
D |
= |
4 |
- |
4 |
DISK |
43 |
16 |
7 |
- |
- |
|
|
|
|
|
|
|
- |
- |
- |
- |
|
- |
1+0+8 |
3+6 |
|
Q |
- |
5 |
- |
|
SOLAR DISK |
|
9 |
|
D |
= |
4 |
- |
- |
DESCENDANTS |
- |
- |
- |
- |
- |
- |
- |
2 |
D+E |
9 |
9 |
9 |
- |
- |
- |
- |
3 |
S+C+E |
27 |
9 |
9 |
- |
- |
- |
- |
2 |
N+D |
9 |
9 |
9 |
- |
- |
- |
- |
4 |
A+N+T+S |
54 |
9 |
9 |
D |
= |
4 |
|
|
|
|
|
|
- |
- |
- |
- |
1+1 |
- |
1+0+8 |
3+6 |
3+6 |
D |
= |
4 |
- |
|
DESCENDANTS |
|
9 |
9 |
4 |
REAL |
36 |
18 |
9 |
7 |
REALITY |
90 |
36 |
9 |
8 |
REVEALED |
72 |
36 |
9 |
19 |
First Total |
|
|
|
1+9 |
Add to Reduce |
1+9+8 |
9+0 |
2+7 |
10 |
Second Total |
|
|
|
1+0 |
Reduce to Deduce |
1+8 |
- |
- |
1 |
Essence of Number |
|
|
|
REAL REALITY REVEALED
I
SAY
HAVE I MENTIONED GODS DIVINE THOUGHT HAVE I MENTIONED
THAT
YET
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|
|
|
|
|
|
|
|
|
|
|
|
1 |
1 |
|
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
3 |
|
45 |
18 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
4 |
|
36 |
18 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
1 |
|
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
9 |
|
99 |
45 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
4 |
|
45 |
18 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
7 |
6 |
|
63 |
36 |
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
8 |
7 |
THOUGHT |
99 |
36 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
9 |
4 |
HAVE |
36 |
18 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
10 |
1 |
|
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
11 |
9 |
|
99 |
45 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
12 |
4 |
|
49 |
13 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
13 |
3 |
|
50 |
14 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
First Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
7+4 |
|
5+6 |
Add to Reduce |
6+4+8 |
2+8+8 |
1+0+8 |
|
|
|
|
|
|
|
|
|
9+9 |
|
|
|
|
|
Second Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+1 |
|
1+1 |
Reduce to Deduce |
1+8 |
1+8 |
|
|
|
|
|
|
|
|
|
|
1+8 |
|
|
|
|
|
Essence of Number |
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
REAL |
36 |
18 |
9 |
7 |
REALITY |
90 |
36 |
9 |
8 |
REVEALED |
72 |
36 |
9 |
19 |
First Total |
|
|
|
1+9 |
Add to Reduce |
1+9+8 |
9+0 |
2+7 |
10 |
Second Total |
|
|
|
1+0 |
Reduce to Deduce |
1+8 |
- |
- |
1 |
Essence of Number |
|
|
|
- |
- |
- |
- |
- |
|
|
|
|
|
= |
18 |
= |
9 |
R |
18 |
9 |
|
-- |
- |
- |
- |
- |
E+A+L |
18 |
9 |
|
|
= |
18 |
= |
9 |
R |
18 |
9 |
|
-- |
- |
- |
- |
- |
E+A+L |
18 |
9 |
|
-- |
- |
- |
- |
- |
I |
9 |
9 |
|
-- |
- |
- |
- |
- |
T+Y |
45 |
9 |
|
|
= |
18 |
= |
9 |
R |
18 |
9 |
|
-- |
- |
- |
- |
- |
E+V |
27 |
9 |
|
- |
- |
- |
- |
- |
E+A+L |
18 |
9 |
|
- |
- |
- |
- |
- |
E+D |
9 |
9 |
|
- |
- |
|
- |
|
|
|
|
|
- |
- |
5+4 |
- |
2+7 |
- |
- |
- |
- |
- |
- |
|
- |
|
REAL REALITY REVEALED |
- |
- |
- |
....